A blast from the past, sure to transport fans of all things big and loud.
In a properly lap- and eye-filling format (it has a 2-foot wingspan), a soaring tribute to the “Queen of the Skies.”
Following Go for the Moon (2019), Gall pays homage to another outsize triumph of engineering wizardry and industrial might. A mammoth machine two and a half times larger than any other jet liner of its time, Boeing’s 747 is so big, he claims, that the Wright brothers could have made their entire first flight in its fuselage without leaving the coach section. It debuted in 1968 and, though now retired from domestic use, is still the fastest commercial passenger plane in the world. Drawn with Gall’s customary clean precision, a mix of dramatically angled full-body portraits, glimpses of workers in a gigantic assembly plant, cutaway views of cockpit and spacious seating areas, detailed sectional diagrams of wings and engines, and flocks of smaller aircraft from a paper plane to a suddenly dinky-seeming 737 combine to underscore the scope of the technological achievement as well as both the sheer scale of the jet and of the effort that went into building it. There is also a dream-come-true element, as a red-haired, pale-skinned child frequenting the pictures through each stage of the leviathan’s design and assembly makes a final appearance in the pilot’s seat and turns out to be Lynn Rippelmeyer, the first woman to captain a 747. Clad in late-20th-century attire, the small human figures clustering throughout add a sense of period but are nearly all White.
A blast from the past, sure to transport fans of all things big and loud. (glossary, source list, “fun facts,” afterword) (Informational picture book. 7-9)Pub Date: Aug. 4, 2020
ISBN: 978-1-250-15580-1
Page Count: 48
Publisher: Roaring Brook Press
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
Young makers will find the Scrap Pack’s enthusiasm infectious, but even as broad overviews, these offer at best incomplete...
A mouse, a bird, and a junkyard frog assemble a car from the ground up—cluing in readers who may be a bit vague on what’s beneath all those hoods…or at least what used to be.
Enlisting his green buddy Hank to supply the parts and feathered Phoebe to draw up the plans, Eli, “king of crazy ideas,” sees his latest project grow from a frame and some miscellaneous loose parts to a nifty blue convertible with a classic 1950s look. At each stage, Sodomka supplies clearly drawn angled or cutaway views with dozens of major components labeled, from “steering knuckle bracket” to “tie rod” and “ball joint.” The gas tank is labeled but seems to be missing, though, and readers who want to know what a “differential” actually does or the purpose of the “indicator switch” are out of luck. Lacey’s claim that an engine “is like the brain of the car” doesn’t bear close examination, either. Moreover, the finished auto isn’t much like most modern cars, as it has no electronic elements, for instance, and is powered by a three-cylinder engine (misleadingly billed as “regular”) quaintly fed by a long-obsolescent carburetor. With an auto under their belts (and with similar oversimplification), Eli’s “Scrap Pack” goes on to an even more ambitious enterprise in How to Build a Plane. In both volumes, closer looks at selected systems or related topics follow the storyline’s happy conclusion, and each broad trial-and-error step in the construction is recapped at the end.
Young makers will find the Scrap Pack’s enthusiasm infectious, but even as broad overviews, these offer at best incomplete pictures. (Informational picture book. 7-9)Pub Date: Nov. 1, 2015
ISBN: 978-1-63322-041-6
Page Count: 64
Publisher: Quarto
Review Posted Online: Aug. 30, 2015
Kirkus Reviews Issue: Sept. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sketchy teaser in search of an audience.
A subatomic narrator describes how helium, a nonrenewable resource, is formed deep underground.
The very simple cartoon style of the illustrations suggests a breezier ride than the scientifically challenging content delivers. With much reliance on explanatory endnotes, Rooney sends her zippy narrator—newly freed from a popped balloon (see Eddie the Electron, 2015)—barreling its way past billions of nitrogen and oxygen atoms to the top of the atmosphere. Eddie describes how uranium and thorium trapped in the newly formed planet’s crust self-destructed to leave helium as a stable byproduct. Billions of tedious years later (“I thought I would die of pair annihilation!”) that helium was extracted for a wide variety of industrial uses. Following mentions of Einstein and how Eddie is mysteriously connected to other atoms “in a way that surpasses space and time,” the popeyed purple particle floats off with a plea to cut down on the party balloons to conserve a rare element. Younger readers may find this last notion easier to latch onto than the previous dose of physics, which is seriously marred both by the vague allusions and by Eddie’s identification as a helium atom rather than the free electron that his portrayals in the art, not to mention his moniker, indicate.
A sketchy teaser in search of an audience. (Informational picture book. 7-9)Pub Date: June 20, 2017
ISBN: 978-1-944995-14-0
Page Count: 27
Publisher: Amberjack Publishing
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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