A quick, satisfying read with a beautiful otherworldly feel; highly recommended for fans of John Steinbeck.
A novel delivers a rural fable, the story of a man trapped by his own choices.
Fast Eddie Burke always makes his life harder by trying to take the path of least resistance. He works at the coal mine, like almost every man he knows. His wife has left him, and he hints it’s because he didn’t stand up and fight to keep her. He drinks with his buddies in an abandoned house on Fridays. Everyone brings his own liquor. Most of Eddie’s meals are sandwiches from the store or fried squirrel or rabbit he hunts near his house. Just about everything makes him uncomfortable: going to church; hanging around a group of people. So when his co-worker Turp Lawson asks to join the drinking party, Eddie doesn’t know what to make of it. He decides to ask the other guys, and when they agree, Eddie starts down a road that will change his life. Turp seems to be taken with the idea of finally having friends. When Eddie shows the slightest bit of courtesy, Turp asks him over to the house for Sunday dinner. Turp’s wife, Marta, is immediately taken with Eddie and initiates an affair behind her husband’s back. Marta has a habit of belittling Turp, who has never had much confidence. And when Turp brings some questionable moonshine to the drinking bash, he goes off the rails, which only brings Marta and Eddie that much closer. In this short, enjoyable tale, Helvey (Claw Hammer: A Gathering of Stories, 2015, etc.) has a simple but cutting way with his prose. When Eddie happens upon an old man singing, the author has this to say about how the song affects the protagonist: “Even the words sounded strange and tired as though they were very old and had traveled a long way.” In addition, Helvey’s remarkable rural setting and resonant characters are eerily unstuck from time. There are coal mines and family-owned local shops, and the owner of the mine, Eller Whitman, comes off as a dandy millionaire from decades back. But the titular snapshot is a Polaroid, and the cars seem modern.
A quick, satisfying read with a beautiful otherworldly feel; highly recommended for fans of John Steinbeck.Pub Date: Dec. 30, 2017
ISBN: N/A
Page Count: 114
Publisher: Livingston Press
Review Posted Online: Nov. 8, 2017
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK TO SCREEN
BOOK TO SCREEN
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