Readers willing to go with the flow can look forward to the sequel
In a blasted, post-apocalyptic future, only three life-forms remain: humans, omnivorous locusts and the bioengineered corn that has become the sole source of food and fuel to civilization’s remnants.
Banyan, 17, makes his living as his dead father did, by fabricating trees from scrap metal. A wealthy landowner commissions him to build a forest, providing as a template a beautiful, yellow-leaved tree tattooed over the torso of his wife. Stranger still, the woman’s daughter shows him a recent photograph of a man—his father!—chained to a living tree. In short order, Banyan and a motley crew—his client’s son and a charismatic pirate girl, joined at various points by the wife, her daughter and the landowner’s Rasta bodyguard—are racing the landowner to the trees. They just have to get past GenTech’s massive cornfields and the locusts that live in them. Howard has a gift for the phantasmagoric image: the killing Surge that is this future’s ocean, the bark Banyan finds growing on a homeless man, the swarm of locusts descending for the kill and more. But he takes huge narrative leaps and skimps on worldbuilding, neglecting to explore this GenTech-controlled economy or where oxygen now comes from. It’s a refreshingly male-oriented world, though, despite the abrupt attraction between Banyan and the pirate that feels chucked in to provide the now-requisite romantic element.
Readers willing to go with the flow can look forward to the sequel . (Science fiction. 14-18)Pub Date: Nov. 1, 2012
ISBN: 978-0-545-38789-7
Page Count: 336
Publisher: Scholastic
Review Posted Online: Oct. 9, 2012
Kirkus Reviews Issue: Nov. 1, 2012
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
