Demarest adds another gem to his lambent survey of modern firefighting with this mesmerizing look at the men and women who are specially trained and equipped to fight wildfires. In big, eye-filling scenes he shows a fire’s genesis in sparks thrown off by a passing train, then its swift passage across fields and down upon a housing development as the “Hotshot” teams work frantically to contain it. With broad, dramatic brushwork, he not only captures the fire’s breathtaking speed and fury, but depicts the firefighters’ specific gear and techniques as they quickly create a backburn, then drop beneath collapsible shelters dubbed “Shake-n-bakes” as the wind-driven blaze roars up. The author captions each scene with a line or two of rhymed text, supplies additional details at the end, and closes with lists of recommended books, films, and Web sites. This one fire finally brought under control, the Hotshots are last seen readying themselves to take on the next—not as larger-than-life, tall-tale heroes, but as a team of steady professionals in a very dangerous line of work. Altogether admirable. (Picture book/nonfiction. 6-8)
Pub Date: May 1, 2003
ISBN: 0-689-84816-1
Page Count: 48
Publisher: McElderry
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 15, 2003
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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