(Radio satellite tour)
Peppy, satisfying by-the-numbers series debut about a globetrotting Nick-and-Nora duo (they had a fling in college, but the
fire still smoulders) who locate missing, estranged, or unknown heirs in exchange for a percentage of the bequest. Nick Merchant is in San Francisco, Alexandra Moreno is in New York. They can do all the standard p.i. shtick: bend or break laws; get chased, shot at, beaten up; spend lots of time and money traveling; talk tough to guys in suits; and even discover who’s been naughty or nice—just so piles of money can go to the right folks. We first meet Nick, a typical good-natured, good- looking action-hero-manqu‚, surprising needy, long-lost relatives who can barely remember the deceased, with a $60,000 inheritance. "Kind of like working for the Publishers Clearing House Sweepstakes," Nick muses. After the papers are signed, Nick and moderately sleazy Doug Spinetti pocket 20 percent, which, Spinetti reminds Nick, might as well be charity work. Nick's father Joe started this line of business, but died under mysterious circumstances. Nick is also wondering how to make ends meet when Alex bribes a New York deputy attorney general to get a peek at a $22 million estate listing belonging to the freshly dead Gerald Jacobs. That much money shakes all kinds of ne’er-do-wells out of the woodwork, starting with the reptilian Lawrence Castleton, founder of Nick's competition, the hugely efficient General Inquiry. The thoroughly ruthless Castleton may also know why Nick's father was killed. Ambitious FBI assistant director Arthur Gordon is miffed that Jacobs was murdered while in the FBI's Witness Protection Program and puts his best agents on the case. Add to this a pair of homicidal hoods looking for incriminating photos that Jacobs hid, along with other assorted plot-thickeners: smuggled Nazi loot, a corrupt congressman, and a courtroom filing deadline after which the money will be taxed into oblivion. A new crease in the conventional p.i. trenchcoat, with plenty of hair-raising escapes, nasty violence, and snarling villains.
(Radio satellite tour)Pub Date: Feb. 15, 2000
ISBN: 0-385-33363-3
Page Count: 368
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2000
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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