A trippy tale packed with high-tech inventions and old-school mystery that feels like a wildly captivating video game.
In Mathison’s novel, a man endeavors to secure his inheritance from a mysterious uncle while exploring the old man’s sprawling English estate and questioning the very nature of reality.
Kris Robinson embarks on an epic journey when, in an effort to explore his alternative selves, he consumes high-tech drugs that cause temporary amnesia. As the voices in his head (which call themselves the “Storytellers” and guide him on his psychedelic journey) say, “Imagine—a sip, a swallow, and voilà! A tabula rasa!” After this brief glimpse into the perhaps not-too-distant future, the book switches to a second-person perspective, and the rest of the novel takes on a distinct video-game aspect as readers navigate the strange proceedings from Kris’ vantage point. Kris receives a letter from a mysterious uncle, Arthur Hanover, asking him to come to his English estate to claim his inheritance, but readers will feel as though they’re the ones going through the motions: “Standing there is a courier asking you to sign for a packet. What in the world? The packet has come from ‘Allensby, Bixby, Crosby & Sons & Daughters, Barristers and Solicitors’ from a town in England you’ve never heard of.” From there, readers are launched into an intriguing mansion-set mystery as Kris travels to England and meets a cast of colorful characters (including a devious head butler and the housekeeper’s friendly grandson) while trying to uncover the mystery of his long lost “uncle”…and the meaning of existence itself. The “Storyteller” voices occasionally pop in to hint at solutions for both Kris and readers as the protagonist is repeatedly pulled out of one reality and into another. Mind-bending scenes (such as lavish dinner parties that devolve into intense competitions and an impromptu disco party) ultimately make the narrative feel like the literary version of a Black Mirror TV episode. The novel is based on a DVD adventure game that the author made in the late 1990s, which perhaps accounts for its immersive feel. Occasionally confusing, always entertaining, and undeniably fun, Mathison’s yarn is a truly unique reading experience.
A trippy tale packed with high-tech inventions and old-school mystery that feels like a wildly captivating video game.Pub Date: Jan. 23, 2024
ISBN: 9798886451238
Page Count: 472
Publisher: Greenleaf Book Group Press
Review Posted Online: Dec. 12, 2023
Kirkus Reviews Issue: Feb. 1, 2024
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Brilliant, affecting work from one of contemporary literature’s masters.
A phone call from her past disrupts the tenuously reconstructed life of a concert pianist turned farmer’s wife.
We know from the beginning that Livia Cable is the battered survivor of her brother Cyrus’ death by suicide, a devastating romance, and a career-ending injury. Only 11 when Cyrus stepped in front of a train, she was already marked out as different in her rural Tennessee hometown by her extraordinary musical ability. The siblings had huddled together against their angry mother’s frequent beatings, and Livia still feels abandoned by Cyrus years later, when she picks up the phone to hear the voice of Sigurd, the fiery labor organizer she loved and lost to “the revolution” while on scholarship at the Indiana University School of Music. Now married to kind, steady childhood friend Charlie, Livia looks back on her affair with Sigurd as she struggles to deal with the recent death of her mother, a compulsive hoarder who left a house stuffed with junk to be disposed of and bitter memories that haven’t faded over time. Kingsolver skillfully juggles the two time frames to unravel Livia’s complicated feelings about the life she lost when her right hand was crushed and the life she has now as a country piano teacher. A partita, she explains to Sigurd early on, “is a composition made of a lot of parts with a lot of different moods…the artist’s work is to make them all add up to something that feels whole.” That’s precisely what Kingsolver does in this beautifully paced and judged narrative, which builds to revelations uncovered amid the piles of trash in Livia’s childhood home about the reasons for Cyrus’ suicide (clearly foreshadowed) and their mother’s rage (startling and heartbreaking). A fierce belief that great art is for everyone joins Kingsolver’s familiar preoccupations with class distinctions, social injustice, and the complex bonds of family and community in a tender denouement.
Brilliant, affecting work from one of contemporary literature’s masters.Pub Date: Oct. 6, 2026
ISBN: 9780063577541
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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