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TIP AND THE GIPPER

WHEN POLITICS WORKED

The idea of compromise and reconciliation being anathema these days, it’s no wonder nothing happens on the Hill. Matthews’...

An amiable but tough-minded political ramble with TV pundit Matthews (Jack Kennedy, 2011, etc.), who records a political mood clearly in need of revival.

“Don’t get caught obstructing the political process. Give Reagan his chance.” So said an aide to Thomas O’Neill, Speaker of the House during the Reagan presidency. O’Neill, as anyone who remembers him will recall, was a blustering, tough Bostonian who came up through the ranks of Congress, a consummate political insider; Reagan, by contrast, liked to portray himself as an outsider somehow innocent of the machine. Yet Reagan also knew a number of things that kept his popularity reasonably high during his terms—for one, that Americans like to feel good about themselves, which he played to the hilt. His politics are still being played out today in the suspicion of all government programs and the conviction that all taxes are bad, which led to what now seems a curious accommodation between O’Neill and Reagan. In trying to push through one set of proposals that involved an increase on some taxpayers, Reagan faced a revolt in his own party and required O’Neill’s help in enlisting sufficient Democratic votes to “sell the public a budget with so large a deficit.” Though it was not all beer and skittles (“Tip refused to let me speak to the House,” Reagan recorded in his diary. “I’m going to rub his nose in this one”), that accommodation spoke to what Matthews regards as a bygone bipartisan spirit that, as he notes, was like gladiatorial combat in that it made each opponent seem stronger and better in the contest simply for each to be up against the other—especially two opponents who liked to out-Irish each other.

The idea of compromise and reconciliation being anathema these days, it’s no wonder nothing happens on the Hill. Matthews’ solid book points to a way out for “people who care about our republic.”

Pub Date: Oct. 1, 2013

ISBN: 978-1-4516-9599-1

Page Count: 496

Publisher: Simon & Schuster

Review Posted Online: Aug. 25, 2013

Kirkus Reviews Issue: Sept. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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