by Chris McGrath ‧ RELEASE DATE: June 30, 2014
Readers initially intrigued by the story’s action are likely to come away with deeper thoughts on mechanisms of control.
McGrath (Does Environmental Law Work?, 2010) delivers a thriller about suppressed truths and a secret organization bent on protecting them.
At the outset of this story, set around 2005, the heavy-drinking Sean McKenna finds himself at a Jerusalem cafe. Now in his late 50s, Sean spent some time working for the U.S. government as a linguist and cryptographer during the Vietnam War. He later turned his experiences into a book with “impressive sales,” and his current plans revolve around writing a novel, establishing contacts with the Israeli intelligence agency Mossad to “do some mild investigation,” and eventually achieving “the good life on a private Caribbean Island.” His grand scheme is interrupted, however, when he falls for beautiful archaeologist Faith Foley. Fifteen years Sean’s junior, she’s involved in an excavation that may lead to some startling religious discoveries. When a digger on her crew suddenly fears for his life, terrified of the secret religious organization Opus Dei, Faith sends him to meet Sean. But before they can converse, the digger is gunned down. Faith and Sean flee for their lives, but they’re quickly intercepted by a Mossad agent. Everyone seems to have the same question: what could a simple laborer have known that would get him murdered in public? Sean and Faith subsequently flee Mossad, but the plot thickens to involve the truth behind some aspects of Christianity and people who prefer such information to remain hidden. The action features a Blackhawk helicopter, hooded men with AK-47s, and a plethora of violent scuffles that keep the adventure lively. The portions of the novel exposing murky religious orders cover material that’s been explored in popular fiction before (as in Dan Brown’s The Da Vinci Code, a book Sean admits that he hasn’t read, prompting Faith to briefly explain Opus Dei to him). However, the story here ventures into even deeper evils. The dialogue is often obvious, as when Sean demands that someone “Find a seat and buckle up!” That said, some of the same character’s musings provide insights; at one point, he reflects that religion was once the opiate of the masses, but now the powers that be use “patriotism, fiery rhetoric and the means to deliver it to the people who still think they control their government.”
Readers initially intrigued by the story’s action are likely to come away with deeper thoughts on mechanisms of control.Pub Date: June 30, 2014
ISBN: 978-1-62901-105-9
Page Count: 348
Publisher: Inkwater Press
Review Posted Online: Oct. 16, 2016
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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by Larry McMurtry ‧ RELEASE DATE: June 1, 1985
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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