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THE HOCUS GIRL

This historical tour de force reminds readers who come for the mystery that life hasn’t changed for the disenfranchised.

A thief-taker—someone hired to “find what had been stolen and return it for a fee”—and his assistant risk their lives to help friends.

In 1822, Leeds is already crowded with factories staffed by the desperately poor, and the wealthy owners are worried about revolution. Although thief-taker Simon Westow and his wife, Rosie, understand what it’s like to have nothing, they’ve made a good life for themselves, their twin boys, and Simon’s assistant, Jane, who lives in their house. Simon and Rosie know nothing of Jane’s past but recognize her ghostlike abilities and her skill with a knife as valuable assets in solving mysteries (The Hanging Psalm, 2018). Siblings Emily and Davey Ashton often fed and housed Simon when he was a penniless teen. So when Davey, who dreams of equality, is arrested for sedition, Simon will stop at nothing to save him. Ambitious magistrate Thomas Curzon seems to be spying on and arresting people who protest the awful conditions they must endure; his vicious bodyguard, Whittaker, does the dirty work. Busy with well-paid jobs of recovering stolen property from people like Charlotte Winter, a hocus girl who drugs men and steals their valuables, Simon resolves to track down the spy who helps Curzon get people arrested on bogus charges. In this he’s helped by Jane’s uncanny ability to know when she’s being followed. He finally hears about Dodd, a mysterious suspect who’s traveling with a woman. But this intelligence comes too late to stop Whittaker from going on a killing spree simply because he enjoys it. Soon after Jane removes her savings from a box she’d hidden in the woods and brings it to the home of Catherine Shields, a motherly woman who's the only person she loves, she sees Charlotte digging up the empty box. When Catherine, who refuses to reveal the hiding place, is beaten by the thief, Jane cannot fathom how anyone could know her secret. Using every resource at their command, she and Simon work to free Davey and take revenge on the people who are killing to cover up myriad crimes.

This historical tour de force reminds readers who come for the mystery that life hasn’t changed for the disenfranchised.

Pub Date: Jan. 7, 2020

ISBN: 978-0-7278-8935-5

Page Count: 224

Publisher: Severn House

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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  • Kirkus Reviews'
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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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BADLANDS

A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be...

Box takes another break from his highly successful Joe Pickett series (Stone Cold, 2014, etc.) for a stand-alone about a police detective, a developmentally delayed boy, and a package everyone in North Dakota wants to grab.

Cassandra Dewell can’t leave Montana’s Lewis and Clark County fast enough for her new job as chief investigator for Jon Kirkbride, sheriff of Bakken County. She leaves behind no memories worth keeping: her husband is dead, her boss has made no bones about disliking her, and she’s looking forward to new responsibilities and the higher salary underwritten by North Dakota’s sudden oil boom. But Bakken County has its own issues. For one thing, it’s cold—a whole lot colder than the coldest weather Cassie’s ever imagined. For another, the job she turns out to have been hired for—leading an investigation her new boss doesn’t feel he can entrust to his own force—makes her queasy. The biggest problem, though, is one she doesn’t know about until it slaps her in the face. A fatal car accident that was anything but accidental has jarred loose a stash of methamphetamines and cash that’s become the center of a battle between the Sons of Freedom, Bakken County’s traditional drug sellers, and MS-13, the Salvadorian upstarts who are muscling in on their territory. It’s a setup that leaves scant room for law enforcement officers or for Kyle Westergaard, the 12-year-old paperboy damaged since birth by fetal alcohol syndrome, who’s walked away from the wreck with a prize all too many people would kill for.

A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be welcome to return and tie up the gaping loose end Box leaves. The unrelenting cold makes this the perfect beach read.

Pub Date: July 28, 2015

ISBN: 978-0-312-58321-7

Page Count: 272

Publisher: Minotaur

Review Posted Online: April 21, 2015

Kirkus Reviews Issue: May 15, 2015

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