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THE TIN GOD

An excellent character-driven procedural. Nickson (On Copper Street, 2018, etc.) uses the historical battle for women’s...

Superintendent Harper works a case that threatens his wife.

One of the few rights Englishwomen have in 1897 is the ability to serve as Poor Law guardians. Tom Harper is fiercely proud of his wife, Annabelle, who not only runs a successful pub in Leeds, but is also standing for election as a guardian of the poor. Annabelle and the other female candidates have been getting threatening letters that are obviously written by an educated man who feels threatened by women. As Annabelle and Harper approach a hall for her first speech, it explodes, killing the caretaker. Harper asks the Army bomb experts to search every hall where election meetings will be held by women. Because the only clue is a piece of paper bearing the words of a song, Harper calls on Frank Kidson, an expert on old and obscure folk songs, for help. Another candidate is snatched off the street and threatened with rape if she does not withdraw. As more bombs are disarmed, the female candidates are all offered police escorts, and when the killer tries to snatch Harper’s daughter, Mary, on her way home from school, Harper’s whole team is roused to find him. More bombs are discovered, each with a bit of folk song describing the death of a woman. Although some of the women drop out, especially after the husband of one of them is knifed to death, Annabelle presses on, her fiery speeches and common-sensical ideas going over well with the voters. Frustrated and fearful for his family, Harper never gives up pursuing a killer as lucky as he is clever.

An excellent character-driven procedural. Nickson (On Copper Street, 2018, etc.) uses the historical battle for women’s rights to expose the prejudice and misogyny that still persist today.

Pub Date: July 1, 2018

ISBN: 978-0-7278-8786-3

Page Count: 224

Publisher: Severn House

Review Posted Online: April 15, 2018

Kirkus Reviews Issue: May 1, 2018

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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THREE BAGS FULL

A SHEEP DETECTIVE STORY

All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the...

Just when you thought you’d seen a detective in every guise imaginable, here comes one in sheep’s clothing.

For years, George Glenn hasn’t been close to anyone but his sheep. Everyday he lets them out, pastures them, reads to them and brings them safely back home to his barn in the guilelessly named Irish village of Glennkill. Now George lies dead, pinned to the ground by a spade. Although his flock haven’t had much experience with this sort of thing, they’re determined to bring his killer to justice. There are of course several obstacles, and debut novelist Swann deals with them in appealingly matter-of-fact terms. Sheep can’t talk to people; they can only listen in on conversations between George’s widow Kate and Bible-basher Beth Jameson. Not even the smartest of them, Othello, Miss Maple (!) and Mopple the Whale, can understand much of what the neighborhood priest is talking about, except that his name is evidently God. They’re afraid to confront suspects like butcher Abraham Rackham and Gabriel O’Rourke, the Gaelic-speaking charmer who’s raising a flock for slaughter. And even after a series of providential discoveries and brainwaves reveals the answer to the riddle, they don’t know how to tell the Glennkill citizenry.

All these problems are handsomely solved at the unsurprising cost of making the human characters less interesting than the sheep. But the sustained tone of straight-faced wonderment is magical.

Pub Date: June 5, 2007

ISBN: 978-0-385-52111-6

Page Count: 368

Publisher: Flying Dolphin/Doubleday

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 15, 2007

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