An excellent character-driven procedural. Nickson (On Copper Street, 2018, etc.) uses the historical battle for women’s...

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THE TIN GOD

Superintendent Harper works a case that threatens his wife.

One of the few rights Englishwomen have in 1897 is the ability to serve as Poor Law guardians. Tom Harper is fiercely proud of his wife, Annabelle, who not only runs a successful pub in Leeds, but is also standing for election as a guardian of the poor. Annabelle and the other female candidates have been getting threatening letters that are obviously written by an educated man who feels threatened by women. As Annabelle and Harper approach a hall for her first speech, it explodes, killing the caretaker. Harper asks the Army bomb experts to search every hall where election meetings will be held by women. Because the only clue is a piece of paper bearing the words of a song, Harper calls on Frank Kidson, an expert on old and obscure folk songs, for help. Another candidate is snatched off the street and threatened with rape if she does not withdraw. As more bombs are disarmed, the female candidates are all offered police escorts, and when the killer tries to snatch Harper’s daughter, Mary, on her way home from school, Harper’s whole team is roused to find him. More bombs are discovered, each with a bit of folk song describing the death of a woman. Although some of the women drop out, especially after the husband of one of them is knifed to death, Annabelle presses on, her fiery speeches and common-sensical ideas going over well with the voters. Frustrated and fearful for his family, Harper never gives up pursuing a killer as lucky as he is clever.

An excellent character-driven procedural. Nickson (On Copper Street, 2018, etc.) uses the historical battle for women’s rights to expose the prejudice and misogyny that still persist today.

Pub Date: July 1, 2018

ISBN: 978-0-7278-8786-3

Page Count: 224

Publisher: Severn House

Review Posted Online: April 16, 2018

Kirkus Reviews Issue: May 1, 2018

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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An appealing new heroine, a fast-moving plot, and a memorably nightmarish family make this one of Box’s best.

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THE BITTERROOTS

The creator of Wyoming Fish and Game Warden Joe Pickett (Wolf Pack, 2019, etc.) launches a new series starring a female private eye who messes with a powerful family and makes everyone involved rue the day.

Cassie Dewell’s been taking a monthly retainer from Bozeman attorney Rachel Mitchell for investigations of one sort and another, but she really doesn’t want to look into the case of Rachel’s newest client. That’s partly because Blake Kleinsasser, the fourth-generation firstborn of a well-established ranching family who moved to New York and made his own bundle before returning back home, comes across as a repellent jerk and partly because all the evidence indicates that he raped Franny Porché, his 15-year-old niece. And there’s plenty of evidence, from a rape kit showing his DNA to a lengthy, plausible statement from Franny. But Cassie owes Rachel, and Rachel tells her she doesn’t have to dig up exculpatory evidence, just follow the trail where it leads so that she can close off every other possibility. So Cassie agrees even though there’s an even more compelling reason not to: The Kleinsassers—Horst II and Margaret and their three other children, John Wayne, Rand, and Cheyenne, Franny’s thrice-divorced mother—are not only toxic, but viperishly dangerous to Blake and now Cassie. Everyone in Lochsa County, from Sheriff Ben Wagy on down, is in their pockets, and everyone Cassie talks to, from the Kleinsassers to the local law, finds new ways to make her life miserable. But Cassie, an ex-cop single mother, isn’t one to back down, especially since she wonders why anyone would take all the trouble to stop an investigation of a case that was as rock-solid as this one’s supposed to be.

An appealing new heroine, a fast-moving plot, and a memorably nightmarish family make this one of Box’s best.

Pub Date: Aug. 13, 2019

ISBN: 978-1-250-05105-9

Page Count: 320

Publisher: Minotaur

Review Posted Online: May 27, 2019

Kirkus Reviews Issue: June 15, 2019

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