by Chris Offutt ‧ RELEASE DATE: June 7, 2022
Terrific characters; taut suspense. Another winner from Offutt.
Another excellent Mick Hardin thriller set in rural eastern Kentucky.
Mick Hardin, of the Army’s Criminal Investigation Division, once again finds himself back home in Appalachia, freeloading on his sister, Linda, the no-nonsense county sheriff, while he recovers from a roadside bombing. When the county’s heroin kingpin (or, it being a small place, the county’s heroin princeling) is found dead in a vacant downtown lot in the county seat, the city police are disinclined to investigate, on the “good riddance” principle of rough justice. Linda, who’s occupied with her reelection campaign—and the awful, endless round of glad handing, small favors, and pancake breakfasts it requires—is glad not to have the case on her plate. But when the dealer’s mother, the misanthropic and well-armed Shifty Kissick (a former love of Mick and Linda’s late father), asks Mick to investigate, he feels obligated to take a look...and the cycle of violence and revenge begins. As in The Killing Hills (2021), Offutt has fashioned a mystery plot that’s fast-paced, efficiently plotted, atmospheric, and compelling, but what again distinguishes the book is the author’s command of and affection for the setting and the people who live there. Come for the thriller, by all means; it delivers nicely. But stay for, and linger in, the marvelous incidentals and atmospherics: arguments about mall names; lore about snakes and birds and mushrooms; descriptions of a local shade-tree tinkerer’s Slinky-like version of a perpetual motion machine.
Terrific characters; taut suspense. Another winner from Offutt.Pub Date: June 7, 2022
ISBN: 978-0-8021-5998-4
Page Count: 272
Publisher: Grove
Review Posted Online: April 11, 2022
Kirkus Reviews Issue: May 1, 2022
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Sally Rooney ‧ RELEASE DATE: Sept. 24, 2024
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
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New York Times Bestseller
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
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