Offutt follows up his collection of agrarian short stories (Kentucky Straight, 1992—not reviewed) with a picaresque tale of a decade on the road. The author is the protagonist in this engaging and irreverent story, much of which may even be factual. But even if some of the details may not be literally true, as a cynical reader might suspect, the book is sometimes truly literate. Offutt, almost as enamored with Figures of Speech as he is with Mother Nature, devises some similes (``a city as cold as crowbar''; ``predictable as diarrhea'') that are more adroit than others (``The sky was a gray flannel blanket like a water color background with too much paint''). The author sprang from the foothills of Appalachia (where the terrain is ``humped like a kicked rug'') before he turned 20. Before he was 30, not so long ago, he passed through New York and Minnesota, California and the Everglades, the plains, mountains, and swamps of America. Drifting his way past redoubts of poverty and outposts of counterculture, Offutt sought his fortune, perhaps as an actor, perchance as a playwright or maybe as a poet. What he found, besides sex, was occasional work as a dishwasher, a mosquito-plagued naturalist, and a faux walrus in a surreal, flea- bitten circus. (A job promotion's upward mobility: He was allowed to sleep under the truck.) The effect is Candide following the path of Orwell down and out in Paris and London. Threaded throughout is the moving journal of Offutt's wife's pregnancy and the birth of the Offutt scion. Finally, Offutt tends his own garden beside a river in America's heartland as he offers an acute reconstruction of things that may have passed. As the old adage has it, you can't step into the same river twice. Even so, a dip into this stream of self-consciousness is an entertaining pastime.

Pub Date: Jan. 15, 1993

ISBN: 0-671-78734-9

Page Count: 192

Publisher: Simon & Schuster

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Nov. 15, 1992

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)

Pub Date: Jan. 1, 2001

ISBN: 0-448-42421-5

Page Count: 48

Publisher: Grosset & Dunlap

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 2000

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