Readers will root for the doorman in this enjoyable yarn.
A Manhattan doorman faces unwanted excitement in this thriller by the author of Two Nights in Lisbon (2022).
Ex-Marine Chicky Diaz has been a doorman at the Bohemia Apartments for 28 years. He is “relentlessly upbeat,” never breaks rules, never bad-mouths anyone. Everyone trusts him. He unfailingly greets each resident by name as they come and go—“Welcome home Mr. Goff” and “Let me get that bag for you Mrs. Frumm”—and seems unbothered by the financial and social chasm separating them from him. Chicky idly muses that anyone could kill or be killed around there with no one knowing it was going to happen. Nice foreshadowing, that. A widower with two daughters in college, he faces a mountain of unpaid medical bills because of his late wife’s cancer, and he owes a ton of back rent. By stark contrast, the Bohemia’s residents are all filthy rich. The building is “littered with Picassos, Chagalls, Renoirs. It’s practically a museum.” Wealthiest among them are Emily and Whit Longworth, a billionaire couple due to his business selling high-tech body armor. Before meeting Whit, Emily once cried after accidentally wasting 90 cents for an unneeded onion. And then her great beauty and sexual talent lead to matrimony and a family. Wanting to be a good person, she volunteers at a food pantry and quickly learns that it’s not cool to show up for duty in a bleeping taxi. Not wanting to be a good person, Whit finds his eye wandering to hookers, and what he does with them is scary. The quiet hatred growing between Emily and Whit is key to the plot. Meanwhile, beyond the Bohemia, there is social unrest after multiple reports of cops or white-supremacist thugs killing innocent Black men. Will there be riots? More to the point, will they affect the Bohemia’s wealthy residents? For his part, Chicky bears no one any ill will. He neither carries a weapon nor cares to and would just as soon be a passive observer. But he suffers a beatdown from a gang member named El Puño (The Fist) and is advised to apologize to the thug for having given offense. This leads to the bad guys learning what wealth lies inside those apartments. A plan develops. Will bullets fly? Will blood flow? Is the pope Catholic? Social, racial, and political commentary add color to the profanity-peppered pages.
Readers will root for the doorman in this enjoyable yarn.Pub Date: May 20, 2025
ISBN: 9780374604790
Page Count: 400
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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