A straightforward but mostly moving valentine to young love that will appeal to romantics and fans of Latin music.
The widower of murdered pop star Selena reveals poignant details of their short time together as a couple.
In the early 1990s, Selena Quintanilla shook up the world of Tejano, a hybrid of Mexican and American music, by fronting an energetic young band that included guitarist Chris Perez. Initially more interested in Selena’s strong voice and the band’s innovative take on tradition than in romance, Perez soon found himself falling head over heels for Selena. Perez portrays his girlfriend and eventual wife—they eloped in 1992 after growing weary of concealing their relationship from Selena’s overly protective father—as a spirited daredevil with a heart of gold. She was an animal lover, motorcycle enthusiast and emerging fashion designer whose religious beliefs grounded her within the chaotic music industry. Unfortunately, Selena’s trusting nature led her to welcome a dangerous woman, Yolanda Saldivar, into her inner circle. As Selena’s fan-club president and personal assistant, Saldivar soon proved to be unstable, manipulative and larcenous. Perez calls her a “cancer,” an epithet that would turn out to be tragically apt when Saldivar killed Selena in 1995, shooting her in the back and causing internal bleeding. Recounting the day that Selena died as well as the ensuing funeral, Perez captures these events in heartbreaking detail. At one point, he writes, he wanted nothing more than to crawl into the coffin with her and pull down the lid. Given Perez’s easygoing, confidential tone throughout the book, this image carries an emotional weight that it would not have had coming from a melodramatic storyteller. The ending of the book feels somewhat rushed, though, as Perez duly notes his descent into depression and substance abuse, his rebound and his eventual remarriage and fatherhood.
A straightforward but mostly moving valentine to young love that will appeal to romantics and fans of Latin music.Pub Date: April 3, 2012
ISBN: 978-0-451-41404-5
Page Count: 304
Publisher: Celebra/Penguin
Review Posted Online: Feb. 12, 2012
Kirkus Reviews Issue: March 1, 2012
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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