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TO SELENA, WITH LOVE

A straightforward but mostly moving valentine to young love that will appeal to romantics and fans of Latin music.

The widower of murdered pop star Selena reveals poignant details of their short time together as a couple.

In the early 1990s, Selena Quintanilla shook up the world of Tejano, a hybrid of Mexican and American music, by fronting an energetic young band that included guitarist Chris Perez. Initially more interested in Selena’s strong voice and the band’s innovative take on tradition than in romance, Perez soon found himself falling head over heels for Selena. Perez portrays his girlfriend and eventual wife—they eloped in 1992 after growing weary of concealing their relationship from Selena’s overly protective father—as a spirited daredevil with a heart of gold. She was an animal lover, motorcycle enthusiast and emerging fashion designer whose religious beliefs grounded her within the chaotic music industry. Unfortunately, Selena’s trusting nature led her to welcome a dangerous woman, Yolanda Saldivar, into her inner circle. As Selena’s fan-club president and personal assistant, Saldivar soon proved to be unstable, manipulative and larcenous. Perez calls her a “cancer,” an epithet that would turn out to be tragically apt when Saldivar killed Selena in 1995, shooting her in the back and causing internal bleeding. Recounting the day that Selena died as well as the ensuing funeral, Perez captures these events in heartbreaking detail. At one point, he writes, he wanted nothing more than to crawl into the coffin with her and pull down the lid. Given Perez’s easygoing, confidential tone throughout the book, this image carries an emotional weight that it would not have had coming from a melodramatic storyteller. The ending of the book feels somewhat rushed, though, as Perez duly notes his descent into depression and substance abuse, his rebound and his eventual remarriage and fatherhood.

A straightforward but mostly moving valentine to young love that will appeal to romantics and fans of Latin music.

Pub Date: April 3, 2012

ISBN: 978-0-451-41404-5

Page Count: 304

Publisher: Celebra/Penguin

Review Posted Online: Feb. 12, 2012

Kirkus Reviews Issue: March 1, 2012

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GREEN HILLS OF AFRICA

The Hemingway name will carry this beyond what the usual casual interest in reminiscences of hunting in Africa would ordinarily achieve. It contains some of the best writing Ernest Hemingway has done — and is a delightful human document, natural, humorous, graphic in the swift characterizations and the original sidelights on his companions. Game hunting in Africa — with a double urge, to get, first and last, a Kudu — and to beat Karl. Sell both as travel and sport — as well as good Heminway. Appearing in Scribners Magazine.

Pub Date: Oct. 1, 1935

ISBN: 0684801299

Page Count: 308

Publisher: Scribner

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Oct. 1, 1935

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OPEN BOOK

An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

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The debut memoir from the pop and fashion star.

Early on, Simpson describes the book she didn’t write: “a motivational manual telling you how to live your best life.” Though having committed to the lucrative deal years before, she “walked away,” fearing any sort of self-help advice she might give would be hypocritical. Outwardly, Simpson was at the peak of her success, with her fashion line generating “one billion dollars in annual sales.” However, anxiety was getting the better of her, and she admits she’d become a “feelings addict,” just needing “enough noise to distract me from the pain I’d been avoiding since childhood. The demons of traumatic abuse that refused to let me sleep at night—Tylenol PM at age twelve, red wine and Ambien as a grown, scared woman. Those same demons who perched on my shoulder, and when they saw a man as dark as them, leaned in to my ear to whisper, ‘Just give him your light. See if it saves him…’ ” On Halloween 2017, Simpson hit rock bottom, and, with the intervention of her devoted friends and husband, began to address her addictions and underlying fears. In this readable but overlong narrative, the author traces her childhood as a Baptist preacher’s daughter moving 18 times before she “hit fifth grade,” and follows her remarkable rise to fame as a singer. She reveals the psychological trauma resulting from years of sexual abuse by a family friend, experiences that drew her repeatedly into bad relationships with men, most publicly with ex-husband Nick Lachey. Admitting that she was attracted to the validating power of an audience, Simpson analyzes how her failings and triumphs have enabled her to take control of her life, even as she was hounded by the press and various music and movie executives about her weight. Simpson’s memoir contains plenty of personal and professional moments for fans to savor. One of Kirkus and Rolling Stone’s Best Music Books of 2020.

An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-289996-5

Page Count: 416

Publisher: Dey Street/HarperCollins

Review Posted Online: Feb. 15, 2020

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