Inventive as ever.
Imagine Rumpelstiltskin with an equally imperious twin, and you’d approximate Take and Give, a tiny pair who bedevil a farmer with conflicting advice.
Borrowing motifs and pacing from traditional folklore, Raschka introduces a mild man intent on harvesting apples. First Take emerges, promising a “finer” life. When a neighbor woman offers the farmer some of her pumpkins, Take urges, “Take them. Take all of them. Take as many as you see.” Hauling a voluminous load of pumpkins, the farmer trudges all day at Take’s pointless urging to “take a hike.” Returning home to make the pumpkin soup the neighbor had suggested, the exhausted fellow realizes that he and his dog both dislike it. Next morning, having banished Take, the farmer picks a second tree, only to be visited by Give, who promises a “sweeter” life. Give similarly beleaguers the farmer, making him relinquish all his apples to a pig farmer. The third harvest day, the tiny duo’s argumentative wrestling sparks new ideas for the farmer. He gives the miller apples and takes some flour, and soon, a happy ending (and a lovely pie) is shared by all. Raschka’s customary thick, dry, brushy black shapes and contours dominate a rather somber palette of gray, red, teal and orange. This marriage of a well-told, folklore-reminiscent tale, dynamic line and muted palette evoke the 1950s-era work of Paul Galdone and Nicolas Mordvinoff.
Inventive as ever. (Picture book. 4-8)Pub Date: Aug. 26, 2014
ISBN: 978-1-4424-1655-0
Page Count: 40
Publisher: Richard Jackson/Atheneum
Review Posted Online: May 27, 2014
Kirkus Reviews Issue: June 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Visually sweet, though hampered by disjointed storytelling.
In this picture book from Fox News journalist Hall, a young hedgehog must find a way to protect his community when peril looms.
Hedgehog and his father both have busy days ahead. Dad’s on his way to the newspaper to report “what new news the news brings.” Hedgehog packs his backpack for an adventure, mindful of Dad’s rules: “Don’t talk to strangers” and “never ever cross the river alone.” Obeying the rules proves difficult when Hedgehog notices commotion on the other side of the river: A bear is hungrily eyeing Baby Owl, who’s fallen from her tree. With creative thinking, Hedgehog frightens off the bear and alerts Mama Owl, but the predator is still at large. So Hedgehog and Mama Owl create flyers to warn the forest residents. Though Motzo’s airy illustrations are pleasing—particularly the adorably animated Hedgehog, a tribute to Hall’s own children—the narrative feels bogged down with multiple themes as it attempts to explore the power of the written word, the importance of community, and the need to adhere to a parent’s rules. When Hedgehog apologizes for his apparent disobedience, Dad explains that Hedgehog never actually broke the rules; turns out it’s OK to cross the river in the company of an adult, and Mama Owl’s no stranger (she’s the town librarian, whom Hedgehog sees every week). The back-and-forth may leave readers confused; it also feels like a missed opportunity to discuss how to identify trustworthy adults.
Visually sweet, though hampered by disjointed storytelling. (Picture book. 4-8)Pub Date: March 3, 2026
ISBN: 9780063357549
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
Another empowering outing led by a dynamic young role model.
The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.
On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.
Another empowering outing led by a dynamic young role model. (Picture book. 5-8)Pub Date: Feb. 3, 2026
ISBN: 9780316561341
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
BOOK REVIEW
BOOK REVIEW
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