Inventive as ever.
Imagine Rumpelstiltskin with an equally imperious twin, and you’d approximate Take and Give, a tiny pair who bedevil a farmer with conflicting advice.
Borrowing motifs and pacing from traditional folklore, Raschka introduces a mild man intent on harvesting apples. First Take emerges, promising a “finer” life. When a neighbor woman offers the farmer some of her pumpkins, Take urges, “Take them. Take all of them. Take as many as you see.” Hauling a voluminous load of pumpkins, the farmer trudges all day at Take’s pointless urging to “take a hike.” Returning home to make the pumpkin soup the neighbor had suggested, the exhausted fellow realizes that he and his dog both dislike it. Next morning, having banished Take, the farmer picks a second tree, only to be visited by Give, who promises a “sweeter” life. Give similarly beleaguers the farmer, making him relinquish all his apples to a pig farmer. The third harvest day, the tiny duo’s argumentative wrestling sparks new ideas for the farmer. He gives the miller apples and takes some flour, and soon, a happy ending (and a lovely pie) is shared by all. Raschka’s customary thick, dry, brushy black shapes and contours dominate a rather somber palette of gray, red, teal and orange. This marriage of a well-told, folklore-reminiscent tale, dynamic line and muted palette evoke the 1950s-era work of Paul Galdone and Nicolas Mordvinoff.
Inventive as ever. (Picture book. 4-8)Pub Date: Aug. 26, 2014
ISBN: 978-1-4424-1655-0
Page Count: 40
Publisher: Richard Jackson/Atheneum
Review Posted Online: May 27, 2014
Kirkus Reviews Issue: June 15, 2014
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More fun antics to satisfy returning fans and snag new ones.
Not even the arrival of autumn can cool down this impetuous squirrel.
Although Squirrel is skeptical about Bird’s vegetable patch (“Nothing is HAPPENING!”), Bird does produce five (count them) lovely pumpkins. Squirrel picks out a favorite: “The enormous orange one.” Bird hints that Squirrel might want to help out; Squirrel sets out to fetch some work gloves and returns to find only four pumpkins. The frequently distracted Squirrel notices more gourds disappearing and leaps to the conclusion that a thief is near. And where’s Bird?! Has Squirrel’s pal also been taken? Diligently detecting, Squirrel finds clues—peck marks, footprints, and more—and produces a sketch of the suspect. As readers will guess, each clue turns out to point to one of Squirrel and Bird’s friends. Turns out Bird was delivering pumpkins to their pals while saving the big one to give to “my very best friend,” Squirrel. But why does Squirrel haul it up a tree? “So the Pumpkin Thief can’t find it, of course!” A page of pumpkin facts provides the learning component common to all titles in this series. Once more, readers will enjoy the pleasure of prediction and repetition, Squirrel’s silly persistence, Bird’s generosity, and the vibrant color illustrations, balancing orange with green.
More fun antics to satisfy returning fans and snag new ones. (Picture book. 4-8)Pub Date: July 28, 2026
ISBN: 9781464268076
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Aug. 11, 2026
Kirkus Reviews Issue: Oct. 1, 2026
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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