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SIDE BY SIDE

A CELEBRATION OF DADS

Parents and children will seek out some side-by-side time after sharing this.

Raschka celebrates the many roles fathers and children take on when they spend time together.

The tall, skinny trim size and largely white background emphasize the relationship between father and child that fills each spread, leaving little room for the sparse text, mostly just one to three words per page. “Horse / and rider” opens the book, showing a child with long braids astride a man who’s down on his hands and knees. The next page shows the same pair, “Queen / and jester,” as they pose, she in a crown, he clowning for her. The third contains the book’s refrain, “Side by side,” and shows the two, hand in hand, flying kites. This pattern repeats with other parent-child pairs of diverse skin tones and hair textures (though most pairs have similar features and coloring). One pair swaps roles as teacher and learner (as they fish and then jump rope); some engage in activities together—pretend play, chess—and others separately (“base / and explorer”). Raschka’s trademark illustrative style is in evidence in his brushy watercolors. Readers will have no doubt as to the emotions of the characters, and they are sure to find both mirrors of their own play as well as ideas for new ways to interact with their grown-ups.

Parents and children will seek out some side-by-side time after sharing this. (Picture book. 3-7)

Pub Date: March 11, 2019

ISBN: 978-0-7148-7866-9

Page Count: 48

Publisher: Phaidon

Review Posted Online: March 16, 2019

Kirkus Reviews Issue: April 1, 2019

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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