A charming and cozy celebration of the places and routines that anchor and connect us.

THE BLUE TABLE

A blue table symbolizes and facilitates the connections among family members and between friends.

Raschka creates his narrative in two straightforward sentences. His paintings reflect the action and objects described while adding nuance and detail. The story, like most days, begins with breakfast. Food, drinks, and other objects stand in for the characters. “A child” is represented by a glass of milk. Two parents drink from a teacup and a mug; a plate of pastries is shared. A newspaper, book, crayons, paper, scissors, and a flower in a vase spread across the comfortably crowded table before it is cleared so that the family can “get going.” Next, the table fills right back up again. Food from the garden, store, and farm are piled high. An apple pie is constructed in preparation for a celebratory meal shared with another family of three. The aerial, foreshortened perspective throughout and numerous items on some pages may give the impression that the jumble of objects is random. Close examination, however, is richly repaid, with the disappearance of food and drink indicating the passage of time and the use of the child’s crayon drawings as place cards tying the two meals together. Shown only from the elbows down, the six diners include two with brown skin and four whose skin tone varies from pink to amber. (This book was reviewed digitally with 11.5-by-23-inch double-page spreads viewed at 100% of actual size.)

A charming and cozy celebration of the places and routines that anchor and connect us. (Picture book. 3-6)

Pub Date: Oct. 20, 2020

ISBN: 978-0-06-293776-6

Page Count: 32

Publisher: Greenwillow Books

Review Posted Online: July 1, 2020

Kirkus Reviews Issue: July 15, 2020

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A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)

HOW TO CATCH AN ELF

From the How To Catch… series

Wallace and Elkerton continue their series about catching elusive mythical creatures (How to Catch a Leprechaun, 2016, etc.) with this Christmas story about an elf who must avoid traps constructed by children before Santa’s annual visit.

The unnamed elf narrator is the sole helper traveling with Santa on his delivery rounds on Christmas Eve, with each house featuring a different type of trap for elves. The spunky elf avoids a mechanical “elf snatcher,” hidden in a plate of cookies, as well as simple traps made of tinsel, double-sided tape, and a cardboard box concealing a mean-looking cat. Another trap looks like a bomb hidden in a box of candy, and a complicated trap in a maze has an evil cowboy clown with a branding iron, leading to the elf’s cry, “Hey, you zapped my tushy!” The bomb trap and the branding iron seem to push the envelope of child-made inventions. The final trap is located in a family grocery store that’s booby-trapped with a “Dinner Cannon” shooting out food, including a final pizza that the elf and Santa share. The singsong, rhyming text has a forced cheeriness, full of golly-jolly-holly Christmas spirit and too many exclamation marks, as well as rhyming word pairs that miss the mark. (No, little elf-boy, “smarter” and “harder” do not rhyme.) Bold, busy illustrations in a cartoon style have a cheeky appeal with a focus on the freckle-faced white elf with auburn curls and a costume with a retro vibe. (Santa is also white.)

A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)

Pub Date: Oct. 4, 2016

ISBN: 978-1-4926-4631-0

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Oct. 12, 2016

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Sadly, the storytelling runs aground.

LITTLE RED SLEIGH

A little red sleigh has big Christmas dreams.

Although the detailed, full-color art doesn’t anthropomorphize the protagonist (which readers will likely identify as a sled and not a sleigh), a close third-person text affords the object thoughts and feelings while assigning feminine pronouns. “She longed to become Santa’s big red sleigh,” reads an early line establishing the sleigh’s motivation to leave her Christmas-shop home for the North Pole. Other toys discourage her, but she perseveres despite creeping self-doubt. A train and truck help the sleigh along, and when she wishes she were big, fast, and powerful like them, they offer encouragement and counsel patience. When a storm descends after the sleigh strikes out on her own, an unnamed girl playing in the snow brings her to a group of children who all take turns riding the sleigh down a hill. When the girl brings her home, the sleigh is crestfallen she didn’t reach the North Pole. A convoluted happily-ever-after ending shows a note from Santa that thanks the sleigh for giving children joy and invites her to the North Pole next year. “At last she understood what she was meant to do. She would build her life up spreading joy, one child at a time.” Will she leave the girl’s house to be gifted to other children? Will she stay and somehow also reach ever more children? Readers will be left wondering. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 31.8% of actual size.)

Sadly, the storytelling runs aground. (Picture book. 3-6)

Pub Date: Oct. 1, 2020

ISBN: 978-1-72822-355-1

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: Aug. 18, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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