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HEAVY WORDS LIGHTLY THROWN

THE REASON BEHIND THE RHYME

Great fun—for adults.

High-spirited and irreverent probe into the political, sexual and religious meanings behind nursery rhymes and childhood chants.

Roberts, a British librarian and walking-tour guide who discovered that tourists relished his offbeat background tales, self-published a version of this book in 2003 in England. Then Granta published the expanded edition that—with a new preface and glossary—is the one at hand. Of the more than three dozen rhymes, only a half dozen or so—“Taffy Was a Welshman,” say, or “Elsie Marley Is Grown So Fine”—will be unfamiliar to American ears, and, while Roberts’s glossary does clarify British cultural references (rhyming slang, television shows, media personalities), he still assumes a general familiarity with British history. When rhymes have more than one story behind them, as many do, he attempts to sort out the various theories, keeping those with the most historical support. Thus, he reports that “Georgy Porgy” was more plausibly a satire on a gay prince regent of the 19th century than on a marquis in the 17th, and that the earliest written version of the rhyme had no George at all, but warned about the dangers of being too fat, beginning with the line “Rowley Powley, pudding and pie.” Roberts also reveals the true identities and stories behind “Little Jack Horner,” “Mary, Mary, Quite Contrary” and “Little Boy Blue,” whjile “Ding Dong Bell” leads him to a discussion of cat symbolism and superstitions; in his take on “Ladybird, Ladybird,” he introduces other folk beliefs about insects; and in “Goosie, Goosie, Gander”—he advises the reader that it’s about prostitution (“goose” was a common term for a prostitute)—he takes the opportunity to talk about London brothels. More intent on entertainment than scholarship, Roberts has nevertheless packed into his little essays a large amount of choice information and fascinating trivia about British folklore, royal misbehavior and political skullduggery. Nearly half of every chapter’s opening pages are decorated with sprightly silhouettes illustrating scenes from the rhymes.

Great fun—for adults.

Pub Date: Aug. 18, 2005

ISBN: 1-592-40130-9

Page Count: 208

Publisher: Gotham Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2005

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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