A complex, multilayered thriller that sometimes overly depends on coincidence.



An ex-cop discovers a drug cartel’s huge money stash—but the group will do anything to get it back.

Jack Williams doesn’t feel like a lucky man as this thriller opens. He’s an experienced former Marine sniper, MP, and detective with the Denver Police Department, but now drives trucks for a living. Many would call Jack a hero for shooting a pedophile in the head to prevent him from assaulting a terrified 8-year-old boy, but an “ambitious DA” tried to make an example of the cop. Though Jack didn’t serve jail time and was convicted on lesser charges, he was dismissed from the force and then his wife divorced him, gaining custody of their two daughters and moving to California. But Jack’s luck seems to turn when he’s driving on a steep, winding Colorado mountain pass at 3 a.m. The cargo van ahead misses a curve, hurtling over the side; acting as a good Samaritan, Jack climbs down and discovers two passengers, dead or dying. Plastic-wrapped stacks of $100 bills and other clues tell Jack that the van was transporting Mexican cartel money, probably for laundering. Believing he’s left no evidence behind, he works out a careful plan to safely retrieve, store, and launder $120 million with the help of his lawyer, Henry Berman, totally loyal because it was his son Jack saved from the pedophile. In the Caribbean, whose offshore banks will discreetly take large cash deposits, Jack will start a cover business—perhaps in private charter security. He’s set to make a better life for himself and his daughters—except his luck again turns bad. The cartel wants its money back and a ruthless killer is soon on Jack’s trail. Meanwhile, Ray Cruz, a DEA undercover investigator, becomes embedded with the cartel bigwig whose cash was in the van, and a Caribbean figure plays a double game. When Jack’s family is put in danger, he must use all his skills to tip the balance of luck again in his favor. Thomas (The Kingdom Shall Fall, 2017, etc.) offers a great hook in this well-plotted tale—the windfall that might be too hot to handle. The details of getting, storing, and laundering the money are compelling, and the author thinks through what it would take. Dialogue and police/military elements are also well handled, with a strong air of authenticity. For example, when Jack must undertake a military-style mission, a friend explains the weaponry: “With the fucking kick and impact expansion of the hot 7.62 NATO 175-grain hollow-point round this bitch fires, close is all you’ll need.” The pace is slowed down somewhat by attention to inessential facets or logistics, as in this passage featuring Felix Brillo, a cartel member, and Ray: “After getting Felix situated in the rear seat with his seat belt on, the pilot stored their bags in a small compartment and told Ray to join him in the front.” And at times, the plot relies too much on events extremely convenient to Jack or on coincidence (including one involving a financial matter).

A complex, multilayered thriller that sometimes overly depends on coincidence.

Pub Date: April 11, 2019

ISBN: 978-0-9965607-3-3

Page Count: 385

Publisher: Time Tunnel Media

Review Posted Online: Aug. 2, 2019

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Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."


Back to St. John with the Steele family, whose tragic loss and horrifying discovery have yielded an exciting new life.

In Winter in Paradise (2018), Hilderbrand introduced Midwestern magazine editor Irene Steele and her adult sons, Baker and Cash, then swept them off to the island of St. John after paterfamilias Russell Steele was killed in a helicopter crash with his secret mistress, leaving a preteen love child and a spectacular villa. While the first volume left a lot up in the air about Russell’s dubious business dealings and the manner of his death, this installment fills in many of the blanks. All three Steeles made new friends during their unexpected visit to the island in January, and now that’s resulted in job offers for Irene and Cash and the promise of new love for single dad Baker. Why not move to St. John and into the empty villa? Mother, sons, and grandson do just that. Both the dead mistress’s diary and a cadre of FBI agents begin to provide answers to the questions left dangling in Volume 1, and romantic prospects unfold for all three Steeles. Nevertheless, as a wise person once said, shit happens, combusting the family’s prospects and leading to a cliffhanger ending. On the way, there will be luscious island atmosphere, cute sundresses, frozen drinks, “slender baguette sandwiches with duck, arugula and fig jam,” lemongrass sugar cookies, and numerous bottles of both Krug and Dom Pérignon, the latter served by a wiseass who offers one of his trademark tasting notes: “This storied bubbly has notes of Canadian pennies, your dad’s Members Only jacket, and…‘We Are Never, Ever, Ever Getting Back Together.’ ” You'll be counting the days until you can return to the Virgin Islands with these characters in the concluding volume of the trilogy.

Print the bumper sticker—"I'd Rather Be Living in an Elin Hilderbrand Novel."

Pub Date: Oct. 8, 2019

ISBN: 978-0-316-43557-4

Page Count: 352

Publisher: Little, Brown

Review Posted Online: Aug. 19, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.


A very funny novel about the survivor of a childhood trauma.

At 29, Eleanor Oliphant has built an utterly solitary life that almost works. During the week, she toils in an office—don’t inquire further; in almost eight years no one has—and from Friday to Monday she makes the time go by with pizza and booze. Enlivening this spare existence is a constant inner monologue that is cranky, hilarious, deadpan, and irresistible. Eleanor Oliphant has something to say about everything. Riding the train, she comments on the automated announcements: “I wondered at whom these pearls of wisdom were aimed; some passing extraterrestrial, perhaps, or a yak herder from Ulan Bator who had trekked across the steppes, sailed the North Sea, and found himself on the Glasgow-Edinburgh service with literally no prior experience of mechanized transport to call upon.” Eleanor herself might as well be from Ulan Bator—she’s never had a manicure or a haircut, worn high heels, had anyone visit her apartment, or even had a friend. After a mysterious event in her childhood that left half her face badly scarred, she was raised in foster care, spent her college years in an abusive relationship, and is now, as the title states, perfectly fine. Her extreme social awkwardness has made her the butt of nasty jokes among her colleagues, which don’t seem to bother her much, though one notices she is stockpiling painkillers and becoming increasingly obsessed with an unrealistic crush on a local musician. Eleanor’s life begins to change when Raymond, a goofy guy from the IT department, takes her for a potential friend, not a freak of nature. As if he were luring a feral animal from its hiding place with a bit of cheese, he gradually brings Eleanor out of her shell. Then it turns out that shell was serving a purpose.

Honeyman’s endearing debut is part comic novel, part emotional thriller, and part love story.

Pub Date: May 9, 2017

ISBN: 978-0-7352-2068-3

Page Count: 336

Publisher: Pamela Dorman/Viking

Review Posted Online: Jan. 23, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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