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IF I BUILT A CAR

A young designer verbally crafts a dream car in this retro-flavored flight of fancy, proudly unveiling to his bemused dad and dog a domed, finned, two-toned sedan that combines spiffy features of classic Cadillacs and Jetsons-era styling—plus pool, sofa, snack machine, a robot at the wheel and the ability to be a boat, a submarine or a rocket. Van Dusen portrays it all in bright, 1950s colors, adding a shiny-featured lad and giving every surface, even the dog’s nose, a plastic sheen. “My car will be cool! My car will be keen! / My car will be one big fantastic machine!” Will readers start badgering their parents to trade in the family Humvee or Beamer? Not likely—especially as there’s nary a video screen in sight—but budding designers will certainly get a jumpstart from this. (Picture book. 6-8)

Pub Date: May 1, 2005

ISBN: 0-525-47400-5

Page Count: 32

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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FARAWAY THINGS

An evocative picture-book bildungsroman with equally atmospheric illustrations.

A found “faraway thing” becomes a turning point in the life of a boy.

“Lucian live[s] with his mother on a windswept shore.” His father has been absent from their lighthouse home for long enough that Lucian worries his real memories of him are fading. After a storm, Lucian combs the beach for what his father had called “faraway things”—objects tossed up by the sea—and finds a cutlass. Thrilled, he plays with it, sweeping and slashing the air. The next day dawns foggy, but when it lifts Lucian spies a stranded sailing ship. As he watches, a rowboat is lowered from the ship and moves toward him. The captain steps ashore, wearing a sheath that matches the cutlass. He tells Lucian the cutlass belongs to him, but in trade, the captain will let Lucian select anything from his treasures. Lucian reluctantly realizes the cutlass belongs to the captain and agrees. At the ship, the captain shows Lucian wonderful things and advises him to “choose wisely.” Lucian does. This bildungsroman’s timeless and slightly otherworldly feel is underscored by its illustrations’ muted, effective palette of earth, sea, and sky tones. Unusual perspectives—an ingenious choice for a muted palette—create visual stimulation, showing views from both above and below the horizon line. Satisfyingly, the endpapers allegorically start and finish the story. The captain has dark skin; Lucian and the others have light skin.

An evocative picture-book bildungsroman with equally atmospheric illustrations. (Picture book. 6-8)

Pub Date: June 8, 2021

ISBN: 978-0-316-49219-5

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 30, 2021

Kirkus Reviews Issue: April 15, 2021

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ISAAC THE ICE CREAM TRUCK

Newcomer Santoro’s story of the ice cream truck that pined for a more important role in life suffers from a premise that’s well-worn and still fraying—the person or object that longs to be something “more” in life, only to find out that his or its lot in life is enough, after all. Isaac the ice cream truck envies all the bigger, larger, more important vehicles he encounters (the big wheels are depicted as a rude lot, sullen, surly, and snarling, hardly a group to excite much envy) in a day, most of all the fire trucks and their worthy occupants. When Isaac gets that predictable boost to his self-image—he serves up ice cream to over-heated firefighters after a big blaze—it comes as an unmistakable putdown to the picture-book audience: the children who cherished Isaac—“They would gather around him, laughing and happy”—weren’t reason enough for him to be contented. Santoro equips the tale with a tune of Isaac’s very own, and retro scenes in tropical-hued colored pencil that deftly convey the speed of the trucks with skating, skewed angles. (Picture book. 4-8)

Pub Date: May 1, 1999

ISBN: 0-8050-5296-8

Page Count: 32

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1999

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