An unsatisfying character study of a middle-aged man in crisis that fails to distinguish itself from others of its type.
A pill-popping anesthesiologist and bird-watcher is forced to confront his past when his estranged mother dies.
Adrian Mandrick seems to live a perfect life: He has a beautiful wife, Stella, two bright young children, a well-paying job, and the distinction of possessing the third-longest bird-watching “life-list” in North America. That is, he’s seen more unique species of birds in North America than all but two people…and one of them just died, so the No. 2 spot is closer than ever. But Adrian is also addicted to prescription drugs and has kept his past a secret from everyone, including Stella and his closest friends. When he was a child, his mother ran away from his father with him and his brother, and when his father found them a year later, he informed Adrian that his mother had molested him when he was too young to remember. Adrian is now estranged from both of his parents, and when his mother suddenly tries to get back in touch, he ignores her calls. But her reappearance nevertheless sends him into a downward spiral that takes him from adultery to illness to the obsessive pursuit of the supposedly extinct ivory-billed woodpecker. White, who has an MFA in dramatic writing from NYU and teaches creative writing at DePauw University, makes her debut with this frustrating novel. Adrian’s cavalier disregard for his advantages in life makes it hard to sympathize with him, particularly since White’s treatment of his abuse is superficial and unconvincing. Stella is also reduced to a stereotype of an unhappy wife. The medical and ornithological components of the novel are deeply researched, and Adrian’s love of birds is its most compelling feature. But White hints at themes connected to his passion that are never fully explored, including climate change and Adrian’s Native American heritage. Ultimately, the novel feels more like a collection of ideas than a finished product.
An unsatisfying character study of a middle-aged man in crisis that fails to distinguish itself from others of its type.Pub Date: April 17, 2018
ISBN: 978-1-5011-7430-8
Page Count: 288
Publisher: N/A
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
A late autumn retrospective, accomplished with a long lens, in which Lyman Ward, retired, ill and wheelchair-bound, attempts to affirm the continuity of the past and the "Doppler effect" of time by reconstructing his grandparents' lives. This in partial contrast to and rebuttal of his son at Berkeley "interested in change but only as a process. . . in values, but only as data" (the schism of his last book, All the Little Live Things). Much as one respects the amplitude of this novel and its sincerity, it all goes on and on (except for occasional present day interruptions) and one is never really very interested in Susan Burling Ward and her deracination from the cultured East to the uncivilized West in the 1870's by her husband, an engineer. It was always for her an "exile" and except for the terminal incidents ( a muted love affair which resulted in the accidental death of a child, her lover's suicide and permanent separation from her husband) there is almost no narrative incentive. The repose, however pleasant, becomes a kind of narcosis.
Pub Date: March 19, 1971
ISBN: 0141185473
Page Count: 486
Publisher: Doubleday
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: March 1, 1971
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An elegant, understated book about a simple man still leaves something wanting.
In this quiet, serenely powerful novel, a man lives out his life in a remote mountain village as the bulk of the 20th century sweeps past.
Andreas Egger is a small boy, an orphan, when he's brought by horse cart to a small village in the mountains. It's 1902. The farmer who takes him in also beats him, and Andreas leaves when he turns 18. Then he goes about scraping together a living. Left with a bad limp—a vestige of a particularly bad beating—Andreas still wrests his living from the earth through hard physical labor. Decades pass. What else happens? It’s hard to say. This slim novel relies less on the engine of a plot than on the lyricism of its own poetry. Andreas does fall in love, marry, and lose his wife to a devastating avalanche that wrecks their home. The snow sweeps Andreas along in its flow. Similarly, Andreas is swept along by the major moments of the 20th century. Modernity arrives in the form of the cable cars that Andreas helps to erect on the side of the mountain. Later, television and tourists arrive, too, as Andreas looks on. Before that, though, there is the second world war to contend with. Andreas spends two months as a soldier and eight years as a prisoner of war in Russia. But this experience takes up little more than 10 pages, and then Andreas returns home. The novel seems to skim through all of these struggles, small and large, personal and historical. Seethaler, a Vienna-born writer and actor, writes with quiet serenity, elegance, and grace. But there's something almost too smooth about all of this. Lyrical as the work is, in the end it is also somehow slippery and ungraspable. Andreas is born, lives his life, and dies. So do we all. But there must be something more to say about it.
An elegant, understated book about a simple man still leaves something wanting.Pub Date: Sept. 13, 2016
ISBN: 978-0-374-28986-7
Page Count: 160
Publisher: Farrar, Straus and Giroux
Review Posted Online: June 21, 2016
Kirkus Reviews Issue: July 1, 2016
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
