A gem of a novel, whimsical and bittersweet but never sentimental, with indelible characters and a powerful sense of place.
This is the spirited story of a working-class Viennese cafe and its odd-duck denizens.
Robert Simon, an orphan who endured a hardscrabble youth, is now 31 in the year 1966. He makes a living doing odd jobs in Vienna’s old Karmelitermarkt and rents a furnished room from a war widow whose snoring he finds “strangely touching.” Simon does have some ambition, and when the decrepit old market cafe is put up for rent, he signs a lease and makes it his own. Soon, the place is humming, filled with local patrons—among others, there are yarn-factory girls; Simon’s pal Johannes, the local butcher; the former bill collector Harald, who plays with his glass eye; and Heide the cheesemonger, who feuds with her philandering younger husband, Mischa. When the robust country girl Mila, an out-of-work seamstress, turns up, Simon is persuaded to let her help run the cafe. Mila soon becomes involved with another patron, René, a hulking sometime wrestler. Simon, shy and kind-hearted, takes great pleasure in the cafe’s success. The book meanders pleasantly, though there is some real drama: Simon is severely injured when a furnace beneath the cafe explodes. Some time later, he finds himself falling for an odd Yugoslav woman named Jascha. And during the farewell party for the cafe, a decade after its opening, a nearby bridge collapses. Somehow, the life of the cafe—with its many comic and melancholic moments—seems to mirror an actual life. An earlier novel by this Vienna-born author, A Whole Life (2016), was shortlisted for the International Booker Prize. Here, Seethaler shows a great gift for describing how things work as well as the beauty of the natural world. While the premise of lost souls drifting together in a scruffy cafe may not be wildly original, his funny/sad characters are finely drawn and remarkably vivid. Vienna itself is a player here: The Prater amusement park with its famous Reisenrad Ferris wheel, the pastry shop Demel’s, St. Stephen’s Cathedral, and even the Danube all figure in the proceedings.
A gem of a novel, whimsical and bittersweet but never sentimental, with indelible characters and a powerful sense of place.Pub Date: Feb. 25, 2025
ISBN: 9798889660644
Page Count: 192
Publisher: Europa Editions
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A classic Green portrait of young love…but here the fault is in our social media.
A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.
“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?
A classic Green portrait of young love…but here the fault is in our social media.Pub Date: Sept. 22, 2026
ISBN: 9780525426073
Page Count: 304
Publisher: Dutton
Review Posted Online: Sept. 4, 2026
Kirkus Reviews Issue: Oct. 15, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
