MARKING THE SPARROW'S FALL

WALLACE STEGNER'S AMERICAN WEST

A greatest-hits package from the late dean of western American letters. Stegner (1912-1993), already widely respected as a novelist and historian, became a hero of the environmentalist movement with his 1962 "Wilderness Letter," which made a plea to protect public lands in the west. He revisited this theme often while writing magazine pieces with western settings, most of which Stegner himself roundly dismissed as "grocery-buying junk." His son Page Stegner, a historian, has collected representative essays here, a handful of which—mostly travelogues and op-ed pieces—indeed seem to have been written for a quick boost in disposable income. Most of the others are, however, vintage Stegner, written with an eye toward educating the reader in the historical and ecological value of the western landscape. Stegner visits Lake Powell, the 200-mile-long result of damming Glen Canyon on the Colorado River; travels down the backroads of Utah and Saskatchewan; and wanders through western ghost towns. As he does so, he offers lessons from the past and warnings about the future, writing, for instance, "No western states except those on the Pacific Coast can permanently support large populations"—and this at a time before Nevada, Arizona, or Colorado had yet begun their ongoing population explosions. Readers familiar with Stegner's western oeuvre, especially "The Sound of Mountain Water" and his 1987 lecture series, "The American West as Living Space," will find little substantively new here, although Stegner fils has turned up some less celebrated writings that merit reprinting. For readers who are new to Stegner's environmental work, this is as good an introduction as any.

Pub Date: Sept. 1, 1998

ISBN: 0-8050-4464-7

Page Count: 384

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1998

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A PIRATE LOOKS AT FIFTY

Lg. Prt. 0-375-70288-1 This first nonfiction outing from singer/songwriter Buffett (Where Is Joe Merchant?, 1992, etc.) is more food for his Parrothead fans, but there is some fine writing along with the self-revelation. Half autobiography and half travelogue, this volume recounts a trip by Buffett and his family to the Caribbean over one Christmas holiday to celebrate the writer’s 50th birthday. Buffett is a licensed pilot, and his personal weakness is for seaplanes, so it’s primarily in this sort of craft that the family’s journey takes place. While giving beautiful descriptions of the locales to which he travels (including a very attractive portrait of Key West, from which he sets out), Buffett intersperses recollections of his first, short-lived marriage, his experiences in college and avoiding the Vietnam draft, and his brief employment at Billboard magazine’s Nashville bureau before becoming a professional musician. In the meantime, he carries his reader seamlessly through the Cayman Island, Costa Rica, Colombia, the Amazon basin, and Trinidad and Tobago. Buffett shows that he is a keen observer of Latin American culture and also that he can “pass” in these surroundings when he needs to. It’s perhaps on this latter point that this book finds its principal weakness. Buffett tends toward preachiness in addressing his mostly landlubber readers, as when he decries the seeming American inability to learn a second language while most Caribbeans can speak English; elsewhere he attacks “ugly Americans out there making it harder for us more-connected-to-the-local-culture types.” On the other hand, he seems right on the money when he observes that the drug war of the 1980s did little to stop trafficking in the area and that turning wetlands into helicopter pads for drug agents isn’t going to offer any additional help. Both Parrotheads and those with a taste for the Caribbean find something for their palates here. (Author tour)

Pub Date: July 1, 1998

ISBN: 0-679-43527-1

Page Count: 224

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1998

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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