Meager monkey business.
Engaging artwork, superb narration and one extra-sparkly page fail to keep this disjointed story about self-esteem afloat.
Using monkeys as metaphors for negative thoughts, Lim tells the story of a little girl who decides to capture the primates in an effort to silence them. Apes with names like Gobbledeegoo and Frankenpoop relentlessly torment the girl by telling her that she’s not good enough, that no one likes her and that things are all her fault. One by one she lures them into a glass cage, but in the end she decides to befriend them and set them free. Objects’ pulsations (according to the instructions, they are meant to look like they are glowing) supposedly reveal interactive elements, but sometimes things that move or produce sound don’t pulse or glow. Animation is mostly slow, bumpy and unremarkable, with the exception of one visually stimulating page that the developers apparently put most of their effort into. At times the story and the illustrations are incongruent; on one page the girl says there are mice inside her head—presumably a reference to the shrunken monkeys—but because this is not made explicit, young readers will likely be left wondering where the mice factor in. The subject matter is relevant and potentially powerful, but this incoherent story doesn’t even come close to plumbing its depths.
Meager monkey business. (iPad storybook app. 4-8)Pub Date: June 7, 2012
ISBN: N/A
Page Count: -
Publisher: PaperPlaneCo
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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