by Christian A. Brown ‧ RELEASE DATE: July 28, 2014
An unmissable fantasy tale that marries gorgeous prose to a lavishly detailed plot.
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In this rousing epic-fantasy debut, two unlikely lovers forge a bond in the midst of a war between immortal kings.
The city of Eod, in the land of Geadhain, is home to Morigan Lostarot, the handmaiden of a reclusive sorcerer. While shopping for supplies one day, she stumbles into the shop of a blacksmith named Caenith. His bestial manner shocks and allures her—and it intrigues her even more when he reveals himself to be a werewolf. He then helps unlock her latent psychic talent, but the deluge of other peoples’ thoughts and memories threatens to cripple her, so she consults with her magik-wielding boss, Thackery Thule. Meanwhile, Magnus, the Everfair King, has become possessed by a dark, virulent force, and he suspects that his brother, Brutus, is responsible, so he marches with an army to his brother’s kingdom in search of answers. This leaves Queen Lila to rule Eod, and she begins her own investigation by summoning Thackery, who hasn’t told Morigan just how famous a sorcerer he is. At the same time, in the wretched land of Menos, the covetous Gloriatrix schemes against Magnus and Brutus in a bid to rule as a Black Queen. It would have been difficult for Brown to present a more sensual, or satisfying, debut. His motifs run the epic-fantasy gamut, from ancient forests pulsing with life to malevolent phenomena looming in the depths of space. His excellent prose, however, truly sets this book apart from the fantasy herd. Every page crackles with images full of vibrant emotion, such as the “miracle of Brutus’s horde, dusted in frost and as still as a portrait of war.” There’s also an erotic heft to the author’s writing during romantic moments; for example, Caenith tells Morigan that perhaps “the world worked slower for you, so that it might savor your beauty, as I am.” Elsewhere, readers experience Eod’s magical opulence, which contrasts fabulously with Menos’ repugnance. After a cataclysmic finale, the heroes rest up, possibly for a sequel.
An unmissable fantasy tale that marries gorgeous prose to a lavishly detailed plot.Pub Date: July 28, 2014
ISBN: 978-1495907586
Page Count: 540
Publisher: CreateSpace
Review Posted Online: Oct. 9, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Review Program: Kirkus Indie
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by Kevin Hearne ‧ RELEASE DATE: Feb. 4, 2020
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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BOOK REVIEW
by Kevin Hearne
by Christopher Buehlman ‧ RELEASE DATE: Oct. 2, 2012
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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