Wryly magical.
An equine retelling of a classic fairy tale, with many, many twists.
Snow Pony is a stunning mare with a snow-white coat and a black, braided mane (hair braiding is one of her specialties—those are some clever hooves). She loves to put on shows with her favorite friend, Charmaine (a medium-tan gal with long black hair, also perfect for braiding). Children come for miles around to see the shows. Queenie, a dappled mare, is jealous of all the attention lavished on Snow Pony. She decides to trick her, leaving a trail of (nonpoisonous) apples leading out the gate, into the dark, scary forest. Snow Pony eats the apples and finds herself lost. But then she comes across a stable with seven tiny stalls. Interestingly, the story here takes a “Goldilocks” turn: Seven shaggy miniature ponies return to find someone has nibbled their hay, eaten 77 sugar cubes, and is asleep in their stall. The ponies introduce themselves (adults will get a chuckle out of the bespectacled tax-attorney pony). Snow Pony joins them for a while but misses Charmaine. They figure out a way back to the farm, and mean ol’ Queenie gets her comeuppance (a large glue bottle is a shocking clue until a page turn reveals the true ending). Sima’s ornate text-box frames and bountiful sparkles that follow Snow Pony add to the fairy-tale mystique.
Wryly magical. (Picture book. 4-8)Pub Date: Aug. 21, 2018
ISBN: 978-1-4814-6268-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: July 1, 2018
This kind but snarky, winningly honest story about being a square peg is sure to appeal to misfits and queen bees alike.
A bespectacled naked mole rat stays true to her awkward self.
By human standards, Zuill’s anthropomorphized naked mole rats are all pretty weird-looking: unsettlingly humanlike; pinkish-white but with beady little eyes, pronounced snoots, and vacant smiles. It seems that there are hierarchies even among naked mole rats, however, and Sweety is somewhere toward the bottom. With Coke-bottle glasses and headgear over her buck teeth, Sweety “could be intense”; she loves mycology and interpretive dance, and she has a hard time making friends with the more popular naked mole rats. Refreshingly, this story doesn’t follow a “Rudolph the Red-nosed Reindeer” plot, in which deviance is only acceptable if it’s useful to others, nor is anyone particularly unkind to the strange mole-girl. Sweety’s aunt Ruth informs her that “being different was one of the best things about her life, and that if you stayed true to yourself, you’d find your people.” Sweety thinks a little about how to be more popular and considers different attention-getting tricks to find her people, but at the end she decides to “continue to do her favorite things, and be herself.” Hilarious, slightly (and appropriately) off-putting pen-and-ink sketches (with an especially delightful spot of some goth adolescent mole rats) perfectly illustrate Sweety’s uniqueness.
This kind but snarky, winningly honest story about being a square peg is sure to appeal to misfits and queen bees alike. (Picture book. 4-8)Pub Date: March 26, 2019
ISBN: 978-0-525-58000-3
Page Count: 32
Publisher: Schwartz & Wade/Random
Review Posted Online: Oct. 27, 2018
Kirkus Reviews Issue: Nov. 15, 2018
A lovely homage to a child’s passionate creativity.
A summer day at the beach inspires Jamie to create something with bits and pieces in the sand.
Jamie is intensely involved, humming softly as the waves swish nearby. Several people, including Jamie’s mom and dad, make inane comments or ask what Jamie’s project is. Jamie answers abruptly and vaguely—or doesn’t answer at all. Jamie is totally comfortable there at the edge of the sea, working and observing and listening, and the sea never asks questions. When someone arrives with art supplies and no questions, it is Jamie who asks, “What are you making?” When the woman says she doesn’t know yet, Jamie has found a kindred spirit, and they work side by side without conversation. When their projects are complete, there is a lovely surprise at the reveal. Myers’ spare, almost terse, text is accompanied by acrylic-and-oil illustrations in full- and double-page spreads mixed with vignettes suspended against very bright white spaces. Sand and sea are beautifully rendered in subtle tones of gold and deep blue, and glimpses of Jamie’s project are intriguing. Jamie presents white, and the diverse people encountered are depicted in a manner that is at once realistic and painterly. Jamie’s body language and facial expressions allow readers to feel the child’s fierce dedication and exasperation at being interrupted.
A lovely homage to a child’s passionate creativity. (Picture book. 4-8)Pub Date: June 11, 2019
ISBN: 978-0-8234-4286-7
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
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