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SEVEN SKIES ALL AT ONCE

A lofty concept and radiant illustrations will leave readers on cloud nine.

A lightly personified series of skies puts out its cloudy laundry to dry while two human neighbors bond over the same task.

Permeated with dense imagery and atmospheric art, Pulitzer Prize–winning poet Kooser’s tale establishes that the skies have “hung out their freshly washed clouds” so that they might “smell like air.” But soon the skies have “hurriedly wadded up [the] socks, T-shirts and underpants of cirrocumulus” into a “basket woven of sunbeams” to outrun the seventh sky, a “moth-eaten, dirty gray woolen blanket of stratus.” A thunderstorm begins, gloriously unfurling on full-bleed double-page spreads. Kooser’s picturesque poetry vividly shapes his living sky metaphors, whether they be billowing descriptions of “big muscly arms tattooed all over with all kinds of birds” or ominous portrayals of cumulonimbus clouds “squeezing the light out.” Under those same dynamic skies, a pair of brown-skinned children hang laundry atop a pair of adjacent brick buildings. Their burgeoning friendship, told entirely visually through tentative waves and the clothes-pinned notes they exchange, is as enchanting as the breathtaking post-storm rainbow connecting them. Myers’ skyscapes of brilliantly colored oils on wood are both spectacular and scientifically accurate. His clever use of reflections, the way he artfully plays with the book’s gutter, and the almost tactile paint striations create spreads that are, well, heavenly.

A lofty concept and radiant illustrations will leave readers on cloud nine. (Picture book. 4-10)

Pub Date: July 8, 2025

ISBN: 9781536229004

Page Count: 32

Publisher: Candlewick

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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