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A BLOCK IN TIME

A NEW YORK CITY HISTORY AT THE CORNER OF FIFTH AVENUE AND TWENTY-THIRD STREET

Students of an ever changing Gotham will take pleasure in Bird’s well-researched narrative.

A native New Yorker recounts the history of the city by way of a microcosmic block.

“Bordered by Twenty-third Street to the south, Twenty-fourth Street to the north, Sixth Avenue to the west, and Fifth Avenue and Broadway to the east, the block once lay far north of the settled city, then at its epicenter, and then on its cultural periphery once again,” writes Bird in the preface. At the center of this urban world stood a hotel that was the scene of political glad-handing, deal-making, prostitution, and other such activities. Perhaps the most famous of the characters inhabiting these pages is the doomed architect Stanford White, gunned down during an affair with a woman whose husband suspected him of “blackballing him from New York’s elite clubs.” The woman in question slipped away into the shadows of the demimonde, at first commanding the tabloids for her “drunken brawls, arrests, evictions, unpaid bills, suspected abortions,” and then largely falling into oblivion. Other of Bird’s subjects are better-heeled, including Marietta Stevens, a social climber who amassed a fortune sufficient to have made her the model for Mrs. Lemuel Struthers in Edith Wharton’s The Age of Innocence. She owned much of the aforementioned hotel and plenty of other chunks of downtown, having acquired through various means a treasury of about $86 million in today’s dollars, albeit mostly administered through a trust. Stevens made enough of a stir in life that “at a time when few newspapers ran obituaries for women, all the major New York papers ran one for Marietta, a testament to her hard-earned social status.” Not so for the grifters, drifters, and other lowlier denizens of the block. Bird offers a lively account packed with memorable NYC characters, though it’s less useful in sussing out the tribes of modern New York and a touch less well written than Ada Calhoun’s St. Mark’s Is Dead, based on a similar conceit.

Students of an ever changing Gotham will take pleasure in Bird’s well-researched narrative.

Pub Date: March 1, 2022

ISBN: 978-1-63286-742-1

Page Count: 384

Publisher: Bloomsbury

Review Posted Online: Dec. 14, 2021

Kirkus Reviews Issue: Jan. 1, 2022

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Readers Vote
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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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