by Christie Hodgen ‧ RELEASE DATE: July 19, 2010
The voice is remarkable, but there is too much padding of what is a rather slight story.
Hodgen (Hello, I Must Be Going, 2006, etc.) has structured this novel as a series of “elegies” that a young woman addresses to five major, if occasionally inadvertent influences in her life.
The first, most deeply felt elegy—to Mary Murphy’s Uncle Michael (1952-89)—describes Mary’s less-than-stable New England childhood in the 1970s and ’80s. When her strikingly beautiful mother Margaret, who changes men frequently, lets Michael move in between husbands, he takes on an outsized fatherly role in Mary’s life. But when he moves away, he slips out of Mary and her family’s life all too easily and permanently. In this section, Hodgen creates several fully realized, heartbreaking histories in small, indelible strokes. The subsequent elegies lack the same impact. Elwood LePoer (1971-90) is a classmate of Mary’s before he drops out of high school to work on cars and dies at 19 in a freak accident. He is a loser whom Mary barely knows. His importance is a matter of coincidence—his unwillingness to give Mary’s sister Malinda a ride while she is hitchhiking with Mary and Margaret causes Margaret to meet her fourth husband, the saintly black man Walter, who becomes Mary’s mentor. Carson Washington (1972-93) is Mary’s roommate during her freshman year in college. The girls bond as outsiders on scholarship. The fourth elegy also concerns a person Mary knows only briefly. James Butler (1952-96) is a Juilliard-trained piano player whom Mary meets in Maine while looking for Malinda, who has disappeared. He hides his kindness behind his wit and makes sure Mary attends grad school. When he dies of AIDS, she inherits his musical compositions. In the final elegy, for Margaret, Mary ends up adopting Malinda’s abandoned son and making peace with her much-married mother before Margaret’s death.
The voice is remarkable, but there is too much padding of what is a rather slight story.Pub Date: July 19, 2010
ISBN: 978-0-393-06140-6
Page Count: 256
Publisher: Norton
Review Posted Online: June 3, 2010
Kirkus Reviews Issue: June 1, 2010
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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by Kristin Hannah ‧ RELEASE DATE: Jan. 31, 2012
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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