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MINERVA DAY

A well-crafted mystery that explores the challenges of mental illness.

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A suspenseful thriller about mental illness, the nature of the truth and what it means to be family.

Minerva Day is at odds with her children, thirty-two year old twins Piper and John. Their father, Henry, has just died, and they think she had something to do with it. Keele’s novel follows the strained familial relations and chaos that ensue. In the years following Henry’s death, Piper and John also start to suspect that Minerva suffers from severe mental illness that she hasn’t revealed; their beliefs are spurred on by her frequent strange, irrational comments, her hoarding tendencies and a seemingly constant lack of empathy. The twins’ suspicions are confirmed when Piper and her husband, George, leave their adopted son, Fellow, in Minerva’s care—and he disappears. The community searches for Fellow, but terrible tragedy awaits: His dead body is discovered in a ravine near the carnival where he was last seen; the heartbreak takes a toll on everyone. When Minerva is charged with the crime, it becomes clear that no one—not even her—is sure who killed Fellow or why they would want to. Keele’s well-written novel can be a page-turner at times, though it goes beyond being a simple mystery by taking a fascinating look at mental illness and how it is perceived and dealt with, both by its sufferers and those affected. While the plausibility is somewhat questionable that a person suffering from such severe mental illness would not yet be receiving care, Keele adeptly maps out realistic familial relationships, ones muddled by emotional strife but also founded on unconditional love.

A well-crafted mystery that explores the challenges of mental illness.

Pub Date: Oct. 3, 2013

ISBN: 978-1492239567

Page Count: 334

Publisher: CreateSpace

Review Posted Online: Dec. 26, 2013

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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