An open-ended conclusion leaves the door ajar for more mystery and romance.
Dodd’s series launch turns a Shakespearean tragedy into a rom-com mystery.
“My name is Rosie, Rosaline if I’m in trouble, and I’m the daughter of Romeo and Juliet.” In Dodd’s entertaining retelling of Shakespeare's play, the tragic lovers survived their suicide attempts to marry and produce seven spirited children, headed by practical, level-headed Rosie. Despite the best efforts of her parents to marry off their eldest daughter, the clever Rosie has successfully fended off her potential suitors with a little matchmaking involving two younger sisters. Now almost 20, she’s content to remain a spinster and manage the Montague household, but alas her father receives a proposal he cannot turn down from the loathsome Duke Leir Stephano of the house of Creppa. Despite Rosie’s objections that the duke just buried his third wife, a betrothal ball is quickly organized. There the reluctant bride-to-be meet-cutes with an uninvited guest, the dazzlingly handsome Lysander, and stumbles upon the body of Duke Stephano with a dagger plunged into his chest. Suspicion falls on Rosie, even though Escalus, the brooding Prince of Verona, tries to protect her, and she must identify the killer before she becomes a victim. Dodd peppers her novel with plenty of Shakespearean references, making this more fan fiction than a true historical. The deliberate anachronisms (“I smiled a Mona Lisa smile”) will drive purists crazy, but most readers won't care. Dodd’s Verona is a mythical, timeless city where a spunky, independent young woman can enchant two different men. There is some YA appeal in Rosie’s character that will remind some readers of Karen Cushman’s Catherine, Called Birdy, but one of the protagonists takes an unbelievable 180-degree dark turn that will disappoint readers.
An open-ended conclusion leaves the door ajar for more mystery and romance.Pub Date: June 25, 2024
ISBN: 9781496750167
Page Count: 304
Publisher: John Scognamiglio Books/Kensington
Review Posted Online: April 19, 2024
Kirkus Reviews Issue: May 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A romance that could have used significant rethinking.
Childhood friends, almost-sweethearts, a misunderstanding, and a funeral.
Blair Lang and Declan Renshaw were best friends who went on one date before a disagreement and an accident sent them in different directions after high school. Now Blair is back from college to be with her great-aunt Lottie, who’s dying, and to support her single mother in small-town Seabrook, California. Finding a job at a coffee shop puts her in the path of her former boyfriend, since he turns out to be its owner. Can the two get past their mistakes? The novel uses the popular second-chance romance trope, but Pham fails to energize it through interesting characters. Blair’s grief over her great-aunt’s death and her plan to help her mother are overshadowed by internal monologues about her feelings, the way her friends aren’t paying attention to her, and the novel she plans to write. Declan’s distinguishing characteristic, besides being a former high school quarterback, is his skill at building birdhouses. Unsurprisingly, the couple doesn’t have much chemistry; when they embrace, their “bodies meld like…memory foam.” The wooden characters, unusual word choices (“conglomerate of pedestrians,” “litany of plants”), and odd turns of phrase (“tension melting from his eyebrows like butter melting in a warm pan”) are almost enough to obscure the lack of plot development. What passes for stakes is easily defused when Blair comes into an inheritance that saves her from working as a consultant at Ernst & Young in New York—so she can write a romance novel.
A romance that could have used significant rethinking.Pub Date: March 3, 2026
ISBN: 9781668095188
Page Count: 320
Publisher: Atria
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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