Wise and tender treatment of a life about which much remains unknown.
The author of Morte d’Arthur was perhaps not entirely a “verray, parfit gentil knight,” suggests English historian and journalist Hardyment in a vivid biography for general readers.
Thomas Malory (c. 1399–1471) didn’t invent King Arthur, Camelot or the heroes of the Round Table, but his compellingly original 15th-century retelling of their stories, which drew on a long tradition of Arthurian romance, became the template for every subsequent version by modern myth-makers from T.H. White to Lerner and Loewe. Although Malory’s literary reputation places him second only to Chaucer as a medieval master of English, we know very little about his life and character. Almost certainly, he spent years either escaping from or languishing in jail, but was the man most responsible for our understanding of the chivalric code really guilty of assault, robbery and rape? Relying on the meager historical record, the work of previous scholars and, most intriguingly, biographical hints contained in Morte d’Arthur itself, Hardyment has shaped an admittedly speculative life with creative, highly intelligent and persuasive guesswork. She absolves Malory of any serious crime and convincingly ascribes his legal difficulties to the highly political charges rampant against almost all knights during the tumultuous years of the War of the Roses, when England changed monarchs with dizzying rapidity. Hardyment explains Malory’s obsession with the Arthurian themes of loyalty, tolerance and “generosity of spirit” and ingeniously argues that the telling detail and peculiar sympathy Malory brought to the story of Arthur accounts for its timeless power and could only have come from one who had himself led the colorful, crowded, dangerous and gallant existence she chronicles here.
Wise and tender treatment of a life about which much remains unknown.Pub Date: Aug. 1, 2006
ISBN: 0-06-620981-1
Page Count: 656
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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