Packed with gothic plot, gushing blood, choking clods of dirt, and angry ghosts—a smorgasbord for devotees.
A Chinese American Upstairs, Downstairs meets Fall of the House of Usher meets young queer love.
Li’s adult fiction debut revolves around the death of an Oscar-winning Chinese actress named Vivian Yin. When asked to attend the reading of the will, Nora Deng, the granddaughter of Yin’s long-dead housekeeper and groundskeeper, is shocked to learn that Vivian made a last-minute change to the document, leaving her stately but spooky California home not to her own descendants but to Nora’s mother, Elaine Deng. WTF? Lucille Wang, Vivian’s daughter, is having none of it. Though the lawyer reports that her mother told him, “My daughters can’t have this house. It will ruin them,” Lucille is certain that Elaine forced Vivian to change her will, then killed her. She prevails on Elaine to let her; her troubled sister, Rennie; and her daughter, Madeline, stay in the house for a week to get Vivian's things together and “process" what's happening. Despite her intense hatred of the Yins, Elaine agrees, though she says she and Nora will be staying there, too. (One of many things not to think about too hard.) As that week rolls forward, a parallel timeline in the past unfolds the story of Vivian Yin’s life and marriage, revealing her to be both the victim and perpetrator of long-buried misdeeds. Though, in the present, the two families couldn’t be more at odds, Nora Deng and Madeline Wang discover they feel a connection to one another, one which only the reader knows is eerily predestined. And let’s not forget the immense, overgrown, long-untended garden, a very serious little shop of horrors. Is there too much stuffed into this novel? Are there a number of dubious plot elements? Are there any truly credible characters? Picky, picky, picky.
Packed with gothic plot, gushing blood, choking clods of dirt, and angry ghosts—a smorgasbord for devotees.Pub Date: May 6, 2025
ISBN: 9781668051726
Page Count: 352
Publisher: Avid Reader Press
Review Posted Online: Dec. 11, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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