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ROYAL BLUE

Lovers of romantic intrigue among the royals be warned: This flighty tale of one simple-minded child of privileged descent—by the daughter of Princess Elizabeth of Yugoslavia, sister of Dynasty star Catherine Oxenberg, and author of an equally frivolous collection of anecdotes, Taxi (1986)—is highly unlikely to spur fantasies of life in a more gracious universe. Maria Moses—18, attractive, the daughter of dispossessed (Yugoslavian) royalty on her mother's side and East Hampton wealth on her father's—might seem in a position to take New York by storm as she moves to that city from London, where she was raised. Sadly, though, she has only a small allowance from her father and finds that with no ability to type, spell, or even converse intelligently it's hard to pay her rent. But Maria's appalling ignorance is hardly her own fault: Her beautiful mother's lifelong obsession with romantic escapades, New Age nonsense, and alien visitations left little room for the proper care of her daughter. When little Maria dared grieve over the death of her best friend, she was thrown into a home for emotionally ill children. Tortured at the home by a vicious fellow student, left uneducated and vaguely traumatized, Maria, who's actually forced to squat in the Park Avenue guest rooms of increasingly resentful wealthy friends, is an easy target for the first con man who happens along. He appears in the form of her parents' archenemy—the married, middle-aged Tino Brooks, who deftly seduces Maria, then manipulates her into helping him transfer a valuable Scottish castle of her mother's over to him. Maria's actions destroy not only her mother's only chance at financial solvency, but—Maria realizes belatedly—her own as well. Oxenberg's heroine is so thick-headed, and her social set so unpleasant, that even the author's lightly ironic tone can't salvage this debut. Readers will drift off early, grateful for lives lived far from the haunts of the rich and famous.

Pub Date: June 1, 1997

ISBN: 0-684-80093-4

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1997

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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