A sharply observed and written tale that never seems to add up to much.
Looking for love during America’s Second Civil War can be tricky.
The mutation of the nation’s current political dysfunction into actual civil war is fast becoming a go-to setting for contemporary fiction, but debut novelist Grillo puts a new spin on it by focusing on the romantic misadventures of Hestia, whose husband recently left her to join a pro-Union paramilitary group. The marriage was already shaky, so she’s checking out online dating sites but finds that it’s hard to avoid flirting with guys on the other side. Hestia lives in Baltimore, and there are plenty of Confederate sympathizers in the border state of Maryland. Her own parents are just about to move to one of the 12 seceded states, and it becomes clear over the course of the novel that their dismissive comments about the United States Hestia supports are part of a lifelong pattern of undermining her that clearly contributes to her tendency to eventually find reasons to dump any man unwise enough to show that he likes her. Grillo deftly spins a busy plot that also include Hestia’s friendship with Mildred, an elderly resident at the retirement village where she works, and her growing attachment to her brother-in-law, Jamie, who is raising three kids on his own after his wife was killed in a Confederate terrorist attack. The author’s undeniable point is that daily life goes on even in extreme circumstances; people choose restaurants and places to walk based on the updates in their Safe Zones app, but they continue to eat out and spend time outdoors just the same. The salty comments of Mildred and the village residents participating in Hestia’s oral history project provide welcome relief from Hestia’s often mopey narration, and the characters and social backdrop are equally well drawn, but in the end it’s hard to see why we should care.
A sharply observed and written tale that never seems to add up to much.Pub Date: April 18, 2023
ISBN: 978-0-374-60997-9
Page Count: 400
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 7, 2023
Kirkus Reviews Issue: March 1, 2023
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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