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THE VERY MARROW OF OUR BONES

This small-town drama is jam-packed with revelations and sweet portraits that stick.

An ambitious debut novel that will make you cry, cringe, and laugh.

In 1967, two women—Bette Parsons, the mother of five, and Alice McFee—disappear from a rural town in Canada called Fraser Arm. The scars left by this mystery lay the groundwork for the novel. “Sometimes pain brings people together, helps them to cross the grand abyss of human discord,” says Lulu Parsons, one of Bette's children, as she begins narrating the story years later. “Sometimes it’s too late.” Higdon lovingly excavates the truth behind the women's disappearance, a story buried beneath years of secrecy, trauma, and small-town drama—but does not hesitate to add plenty of salt to the wounds first. There are gaspworthy moments from the beginning to the very last chapter. Though the character count might seem intimidating, Higdon successfully fills Fraser Arm with complex characters who grow and change as the novel unfurls. For example, Doris Tenpenny, the preacher’s daughter, who is mute but sees everything, is brilliant and unforgettable (“Apart from wild mushrooms, which are sometimes tricky to identify and occasionally poisonous, Doris thinks wild people are quite similar to wild food—likeable and interesting”). Her observations are key to understanding the rest of the town. For most of the book's length, the perspective pivots between Lulu's first-person narration and Doris' third-person point of view and follows the tale for five decades without being wed to a linear timeline. The reader is quickly drawn into the intimate details of the lives of the town's inhabitants, compassionately crafted and carefully doled out. From shame to sexual abuse to the undermentioned strain of motherhood, this debut novelist boldly takes on a lot. While the absent father is a tired archetype, a sympathetic story of an absent mother is rare.

This small-town drama is jam-packed with revelations and sweet portraits that stick.

Pub Date: April 3, 2018

ISBN: 978-1-77041-416-7

Page Count: 496

Publisher: ECW Press

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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