Earl Warren, attorney general of Alameda County, California, and later of the State of California, then Governor of California, and finally Chief Justice of the United States, changed the judicial system and expanded civil rights and liberties. In his lifetime, he made one gross error, permitting the internment of Japanese-Americans in concentration camps during WWII. In a public apology after the war, he stated that he was wrong. A Republican by party registration and appointed to the Supreme Court by a Republican president (Eisenhower), he was at heart a Democrat. Even today (or perhaps especially today) he is regarded by some conservative voices as the Chief Justice who sabotaged and changed the course of the Court towards a position of interpretation rather than hewing to a presumption of what the makers of the Constitution intended. Some of the most far-reaching cases he adjudicated were Brown v. Board of Education, Miranda v. Arizona, Gideon v. Wainwright, and a full briefcase of others. Compston details the political shenanigans that propelled him to the position of Chief Justice and provides fulsome information about Warren. But the work is somewhat dull, due, perhaps, to a lack of personal anecdotes and the seriousness of the subject. A knowledgeable reader might wonder what transformed Warren in his judicial philosophy and wonder about the current Supreme Court. But this is an adequate start. (chronology, further reading by and about Warren, index, picture credits, text credits) (Nonfiction. 12-15)

Pub Date: Jan. 18, 2002

ISBN: 0-19-513001-4

Page Count: 160

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2002

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An engaging, admiring, and insightful portrait of an uncompromising, civic-minded, visionary artist.



One of the world’s most celebrated creators of civic architecture is profiled in this accessible, engaging biography.

Similar in style and format to her Everybody Paints!: The Lives and Art of the Wyeth Family (2014) and Wideness and Wonder: The Life and Art of Georgia O’Keeffe (2011), Rubin’s well-researched profile examines the career, creative processes, and career milestones of Maya Lin. Rubin discusses at length Lin’s most famous achievement, designing the Vietnam Veterans Memorial in Washington, D.C. Chinese-American Lin was a reserved college student who entered and won the competition to design and build the memorial. Her youth and ethnicity were subjects of great controversy, and Rubin discusses how Lin fought to ensure her vision of the memorial remained intact. Other notable works by Lin, including the Civil Rights Memorial for the Southern Poverty Law Center in Montgomery, Alabama, a library and chapel for the Children’s Defense Fund, the Museum of Chinese in America, and the outdoor Wave Field project are examined but not in as much depth as the Vietnam Veterans Memorial. Attractively designed, the book is illustrated extensively with color photos and drawings.

An engaging, admiring, and insightful portrait of an uncompromising, civic-minded, visionary artist. (bibliography, source notes, index) (Biography. 12-15)

Pub Date: Nov. 7, 2017

ISBN: 978-1-4521-0837-7

Page Count: 112

Publisher: Chronicle Books

Review Posted Online: Aug. 21, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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A dry but serviceable look at the career of the oldest Marsalis brother, currently enjoying an enviable gig as musical director of the Tonight show. Despite the obvious talents of Wynton and his other brothers, Branford's mother allows that he was the child with the most natural musical ability; after other career options failed to pan out, he turned pro in 1980, toured with Art Blakey and other greats, and helped to spark a revival of popular interest in jazz. He is a versatile musician, playing both clubs and arenas, composing for (even appearing in) films, touring with pop singer Sting, recording with his own band and others; his loose, cheery style is said to complement brother Wynton's more serious, controlled approach. Basing his narrative entirely on secondary sources, mostly magazine articles, Bernotas (Spike Lee: Film Maker, 1993) barely mentions Marsalis's private life, discusses his music only in general terms, and salts his narrative with plenty of sound-bite quotes. This last, plus a tendency (common in jazz writing) to mention nearly every player in every band, makes for occasionally laborious reading; still, this is the fullest account yet of a musician who is sure to become more popular and influential as time goes on. End notes; index; source list; chronology and discography (through early 1994); 12 full-page b&w photos (not seen). (Biography. 12-15)

Pub Date: Aug. 1, 1994

ISBN: 0-89490-495-7

Page Count: 112

Publisher: Enslow

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1994

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