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REBECCA, NOT BECKY

At its best when having savvy fun with stereotypes and the sub rosa operations of female social networks.

Two wealthy stay-at-home moms, one Black and one white, deal with the complexities of race.

“ ‘Only three more weeks of being Black and bougie with my besties!’ De’Andrea wailed. ‘Then I’ll be living among the Whites, and be stuck dealing with Karens and Beckys and all their caucasity!’ ” In order to be close to her mother-in-law in a high-end memory-care facility, former corporate lawyer De’Andrea Whitman and her ultra-hot, super successful husband, Malik, are moving to Rolling Hills, a gated community in Virginia where they will be the only Black people—except for the security guys working the gate. Her Atlanta friends later joke that the family they saw shopping during their tour with the realtor were “Negroes-for-Hire,” staged to deceive them. Chapters alternate between De’Andrea, written in exuberant style, and the other protagonist, an earnest, anxious, to-do-list-obsessed white woman named Rebecca Myland. Not Becky, as she keeps reminding people—and, in fact, the pejorative meaning of the nickname doesn’t fit her. She’s well aware of her privilege even if her husband doesn’t get it. She chairs the diversity committee at the nearly all-white elementary school and is about to lead a charge to remove a Confederate statue from the local park. She's eager to get De’Andrea involved, though De’Andrea would really rather not, and she’s not dying to join Rebecca’s book club, either—but her therapist has directed her to make at least one white friend in Rolling Hills, challenging De’Andrea to overcome her extremely unabashed distaste. Then the two women’s daughters fall in mad kindergarten love and there's no stopping it—the distance between them must narrow.

At its best when having savvy fun with stereotypes and the sub rosa operations of female social networks.

Pub Date: Dec. 5, 2023

ISBN: 9780063213586

Page Count: 336

Publisher: Amistad/HarperCollins

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 15, 2023

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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