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PARIS, HE SAID

Sneed should be applauded for not diving headlong into salaciousness, which her subject matter could invite. But her touch...

A mild meditation on art and relationships by the author of Little Known Facts (2013).

A talented painter, Jayne Marks lacks the confidence to pursue her art and has instead been slogging through two unfulfilling jobs in the years since college to pay rent on her crappy Manhattan apartment, prompting the question: why not move to an outer borough like all the other young people and artists? She seems resigned to her fate until she starts a romance with Laurent Moller, an older French man and the successful owner of art galleries in Paris and New York, who, after dating Jayne for five months, invites her to move to Paris to be his live-in girlfriend and benefactee. She accepts. Paris, of course, presents a host of social hurdles in the form of Laurent’s lecherous business partner, his judgmental ex-wife, and his chilly grown daughter. Jayne is insecure and wishy-washy about all her relationships and confused about Laurent’s insistence that they retain privacy about what they're doing when they're not together. Is that where her own infidelity starts, or is it her natural reluctance to say what she wants, combined with the small flame she keeps burning for an ex? Laurent, in a passage written from his perspective, adds gusto to the proceedings but not much in the way of illumination. Bigger questions about being kept, mixing business and pleasure, and the creative process go mostly unexamined. Oft-mentioned details that should add depth to the characters—that Laurent’s family is in the wine business or that Jayne spent time in Washington D.C., before moving to New York—have little apparent importance to their personalities or lives.

Sneed should be applauded for not diving headlong into salaciousness, which her subject matter could invite. But her touch is so light that the issues at stake feel inconsequential.

Pub Date: May 5, 2015

ISBN: 978-1-62040-692-2

Page Count: 336

Publisher: Bloomsbury

Review Posted Online: Feb. 24, 2015

Kirkus Reviews Issue: March 15, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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