Tenderly portrayed and sharply observed. A rich collection.
Sneed follows her recent novel (Paris, He Said, 2015, etc.) with a new, wide-ranging collection of short stories.
Bad behavior is a touch point for the stories in Sneed’s new collection—not scorchingly bad behavior but the potentially more interesting acts at the borders of societal decency. Often, the questionable quality of her characters’ choices is something that comes to light as the story progresses, either to the characters themselves or to a close observer. “Beach Vacation” tracks a mother as she recognizes, with despair, the entitled attitude of her teenage son. “Couplehood Jubilee” centers on a young woman whose loved ones are warmly indulgent of her entitled ideas. Protagonists in “Clear Conscience” and “Words that Once Shocked Us” are possibly complicit witnesses to infidelity. Both also share a sense of having reached middle age only to find themselves emotionally stunted by recent minor disasters, a theme that is present in much of the collection. The vulnerable girls in “Five Rooms” and “Older Sister” are in need of guidance and care that they find hard to attain. Many of the stories hint at the ridiculous or otherworldly; the title character from “Roger Weber Would Like to Stay” is in fact a ghost, but everything else in the story is perfectly mundane. “The First Wife,” “The Prettiest Girls,” and "The Virginity of Famous Men" are each narrated by a Hollywood-adjacent character and hint at an entire culture with a different moral code, the title story revisiting the family at the heart of Sneed’s first novel, Little Known Facts (2013). A melancholy floats through the collection like Roger Weber through walls. Though most stories stop short of promising hope, readers will find themselves invested in these worlds and lives.
Tenderly portrayed and sharply observed. A rich collection.Pub Date: Sept. 13, 2016
ISBN: 978-1-620-40695-3
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: June 20, 2016
Kirkus Reviews Issue: July 1, 2016
The book is pure fun, although slender. Another volume of Maud’s misdeeds would be most welcome.
Five connected stories about a murderous old Swedish lady.
Maud has a good thing going. At age 88, she’s lived in a large apartment rent-free for 70 years because of a clause in an old contract. Never married, she loves to travel alone and to be alone. In the first story, "An Elderly Lady Has Accommodation Problems," a rare event happens: Her doorbell rings. Jasmin Schimmerhof, a 40-year-old avant-garde artist who lives in the building, stops by to say hello. The daughter of celebrities, her past includes drugs, multiple divorces, and tragedy. Her current art project strives to “unmask the domineering tactics of the patriarchy,” meaning that her small apartment is filled with phalluses—some even hanging from the ceiling. She is delightfully overbearing as she constantly tries to weasel her way into Maud’s good graces. But Maud isn’t stupid or senile, and she knows Jasmin is up to something. Once Maud figures out what it is, her solution is drastic, funny, and final. Maud is a seasoned world traveler who once, at age 18, had been engaged to Lt. Gustaf Adelsiöö. He’d emphatically broken off their engagement on learning her family wasn’t rich. Now, in “An Elderly Lady on Her Travels,” she reads in the newspaper that he is a wealthy 90-year-old widower about to marry the 55-year-old Zazza, whom ex-teacher Maud knows as her long-ago student, a schemer and a failed soft-core porn actress. When Maud arranges to get near her at a spa and then overhears Zazza’s plans to take control of Gustaf’s estate, Maud devises an emphatic countermeasure. And then in “An Elderly Lady Seeks Peace at Christmastime,” she deals with “The Problem” in the apartment above her. Maud’s murders always have plausible motives, and she is a sympathetic character as long as one keeps a safe distance. Each story takes its sweet time to develop and concludes with a juicy dose of senior justice.
The book is pure fun, although slender. Another volume of Maud’s misdeeds would be most welcome.Pub Date: Nov. 6, 2018
ISBN: 978-1-64129-011-1
Page Count: 184
Publisher: Soho
Review Posted Online: Aug. 20, 2018
Kirkus Reviews Issue: Sept. 1, 2018
Not as ambitious as Díaz’s Pulitzer Prize winner, The Brief Wondrous Life of Oscar Wao (2007), but sharply observed and...
From the author of Drown (1996), more tales of Dominican life in the cold, unwelcoming United States.
Eight of the collection’s nine stories center on Yunior, who shares some of his creator’s back story. Brought from the Dominican Republic as a kid by his father, he grows up uneasily in New Jersey, escaping the neighborhood career options of manual labor and drug dealing to become an academic and fiction writer. What Yunior can’t escape is what his mother and various girlfriends see as the Dominican man’s insatiable need to cheat. The narrative moves backward and forward in time, resisting the temptation to turn interconnected tales into a novel by default, but it has a depressingly unified theme: Over and over, a fiery woman walks when she learns Yunior can’t be true, and he pines fruitlessly over his loss. He’s got a lot of other baggage to deal with as well: His older brother Rafa dies of cancer; a flashback to the family’s arrival in the U.S. shows his father—who later runs off with another woman—to be a rigid, controlling, frequently brutal disciplinarian; and Yunior graduates from youthful drug use to severe health issues. These grim particulars are leavened by Díaz’s magnificent prose, an exuberant rendering of the driving rhythms and juicy Spanglish vocabulary of immigrant speech. Still, all that penitent machismo gets irksome, perhaps for the author as well, since the collection’s most moving story leaves Yunior behind for a female narrator. Yasmin works in the laundry of St. Peter’s Hospital in New Brunswick; her married lover has left his wife behind in Santo Domingo and plans to buy a house for him and Yasmin. Told in quiet, weary prose, “Otravida, Otra Vez” offers a counterpoint to Yunior’s turbulent wanderings with its gentle portrait of a woman quietly enduring as best she can.
Not as ambitious as Díaz’s Pulitzer Prize winner, The Brief Wondrous Life of Oscar Wao (2007), but sharply observed and morally challenging.Pub Date: Sept. 11, 2012
ISBN: 978-1-59448-736-1
Page Count: 240
Publisher: Riverhead
Review Posted Online: July 28, 2012
Kirkus Reviews Issue: Aug. 15, 2012
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