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GERMAINE GREER

UNTAMED SHREW

An unauthorized and exhaustive biography of the author still best known for her 1971 feminist polemic The Female Eunuch. Wallace is a journalist and writer based in Australia, where Greer was born and educated by Roman Catholic nuns. Although Greer apparently objected strenuously to this biography and offered no cooperation, Wallace was able to tap sources worldwide, including those in Australia who knew the controversial author as either a well-behaved schoolgirl, a budding actress, or a flamboyant graduate student, challenging sexual and social mores. Her anti-authoritarian social philosophy was formed on the fringes of Australian academe, while she wrote a master’s thesis on Lord Byron that ignored his misogyny. Later, at England’s Cambridge University, her Ph.D. thesis included an analysis of The Taming of the Shrew. One of her conclusions: “There is hardly a woman alive who is not deeply attracted to . . . a man capable of . . . exercising [Petruchio’s] kind of sexual and domestic dominion.” Greer went on to become a 1960s groupie, teaching college courses during the day, bedding down with rock stars at night, and writing about it for magazines like Suck. Within a few years, The Female Eunuch had made her an international evangelist for a brand of countercultural feminism that eschewed sisterhood in favor of sex, but also examined the dynamics of marriage and women’s low self-esteem. Greer wrote other books, including a moving memoir about her emotionally absent father, yet none created the stir of her first. Now settled on a farm in England, she remains a favorite talk-show guest because of her sharp wit and still contentious opinions, and is said to have a new book in the works to be published this year. Ambivalent to women, wavering in her commitment to truth in Wallace’s portrait, Greer remains a flawed but fascinating subject. (16 b&w photos, not seen)

Pub Date: March 1, 1999

ISBN: 0-571-19934-8

Page Count: 360

Publisher: Faber & Faber/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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