An unauthorized and exhaustive biography of the author still best known for her 1971 feminist polemic The Female Eunuch. Wallace is a journalist and writer based in Australia, where Greer was born and educated by Roman Catholic nuns. Although Greer apparently objected strenuously to this biography and offered no cooperation, Wallace was able to tap sources worldwide, including those in Australia who knew the controversial author as either a well-behaved schoolgirl, a budding actress, or a flamboyant graduate student, challenging sexual and social mores. Her anti-authoritarian social philosophy was formed on the fringes of Australian academe, while she wrote a master’s thesis on Lord Byron that ignored his misogyny. Later, at England’s Cambridge University, her Ph.D. thesis included an analysis of The Taming of the Shrew. One of her conclusions: “There is hardly a woman alive who is not deeply attracted to . . . a man capable of . . . exercising [Petruchio’s] kind of sexual and domestic dominion.” Greer went on to become a 1960s groupie, teaching college courses during the day, bedding down with rock stars at night, and writing about it for magazines like Suck. Within a few years, The Female Eunuch had made her an international evangelist for a brand of countercultural feminism that eschewed sisterhood in favor of sex, but also examined the dynamics of marriage and women’s low self-esteem. Greer wrote other books, including a moving memoir about her emotionally absent father, yet none created the stir of her first. Now settled on a farm in England, she remains a favorite talk-show guest because of her sharp wit and still contentious opinions, and is said to have a new book in the works to be published this year. Ambivalent to women, wavering in her commitment to truth in Wallace’s portrait, Greer remains a flawed but fascinating subject. (16 b&w photos, not seen)
Pub Date: March 1, 1999
ISBN: 0-571-19934-8
Page Count: 360
Publisher: Faber & Faber/Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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