An insightful exploration of love and loss that will have suspense fans turning pages until the very end.

READ REVIEW

Weighing the Truth

A NOVEL

Mason (Boundaries: A Love Story, 2013, etc.) offers an emotionally supercharged domestic thriller.

The story initially revolves around recently widowed Sacramento defense attorney Natalya Drummond and her struggles with an aggressive client on death row in San Quentin. Jared Hegner, who’s been convicted of rape and murder, has been threatening her and fellow attorney Rick Cropper; if they don’t get his conviction overturned soon, he tells them, there’s going to be trouble—he has friends “on the outside” who owe him a favor. Drummond is worried about the safety of her 21-month-old daughter, but Cropper doesn’t seem overly concerned. The threats escalate quickly as gruesome packages with threatening contents arrive at Drummond’s office, but her colleagues don’t take them seriously—until an intruder breaks into her house and rapes her. Later, she finds tracking down her assailant to be increasingly difficult due to myriad potential enemies working in her office (including more than a few misogynistic lawyers) and her own complicated relationship with Cropper. It soon comes to light that the attack may not even have been related to Hegner at all. Overall, this is a fluid narrative that seamlessly fuses elements of mystery, women’s fiction, and legal suspense. Although an extended courtroom sequence toward the end of the novel deflates much of its narrative momentum, it still works overall, in large part due to Mason’s focus on character development throughout. Drummond, Cropper, and even relatively peripheral characters, such as Hegner, are all fully realized and authentic, which makes the emotional aspect of the story feel intense and intimate. As a result, readers will experience the diversity of Drummond’s feelings during her painful but redemptive journey of self-discovery.

An insightful exploration of love and loss that will have suspense fans turning pages until the very end.

Pub Date: Sept. 24, 2016

ISBN: 978-0-9897-9580-7

Page Count: 349

Publisher: Hillrow Editions

Review Posted Online: Sept. 19, 2016

Kirkus Reviews Issue: Nov. 1, 2016

Did you like this book?

No Comments Yet

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Did you like this book?

The racism, classism, and sexism of 50 years ago wrapped up in a stylish, sexy, suspenseful period drama about a newsroom...

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2019

  • New York Times Bestseller

LADY IN THE LAKE

Baltimore in the 1960s is the setting for this historical fiction about a real-life unsolved drowning.

In her most ambitious work to date, Lippman (Sunburn, 2018, etc.) tells the story of Maddie Schwartz, an attractive 37-year-old Jewish housewife who abruptly leaves her husband and son to pursue a long-held ambition to be a journalist, and Cleo Sherwood, an African-American cocktail waitress about whom little is known. Sherwood's body was found in a lake in a city park months after she disappeared, and while no one else seems to care enough to investigate, Maddie becomes obsessed—partly due to certain similarities she perceives between her life and Cleo's, partly due to her faith in her own detective skills. The story unfolds from Maddie's point of view as well as that of Cleo's ghost, who seems to be watching from behind the scenes, commenting acerbically on Maddie's nosing around like a bull in a china shop after getting a job at one of the city papers. Added to these are a chorus of Baltimore characters who make vivid one-time appearances: a jewelry store clerk, an about-to-be-murdered schoolgirl, "Mr. Helpline," a bartender, a political operative, a waitress, a Baltimore Oriole, the first African-American female policewoman (these last two are based on real people), and many more. Maddie's ambition propels her forward despite the cost to others, including the family of the deceased and her own secret lover, a black policeman. Lippman's high-def depiction of 1960s Baltimore and the atmosphere of the newsroom at that time—she interviewed associates of her father, Baltimore Sun journalist Theo Lippman Jr., for the details—ground the book in fascinating historical fact.The literary gambit she balances atop that foundation—the collage of voices—works impressively, showcasing the author's gift for rhythms of speech. The story is bigger than the crime, and the crime is bigger than its solution, making Lippman's skill as a mystery novelist work as icing on the cake.

The racism, classism, and sexism of 50 years ago wrapped up in a stylish, sexy, suspenseful period drama about a newsroom and the city it covers.

Pub Date: July 23, 2019

ISBN: 978-0-06-239001-1

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

Did you like this book?

No Comments Yet
more