A pleasurable collection of short stories that will leave readers wanting 13 more.
Amato’s short story collection explores the myriad experiences that make up seemingly ordinary humans’ lives.
The collection opens with “And Her Name Was Ralph,” a story about a person whose name and life subvert gender roles: By the age of 10, the titular protagonist is helping her farming family by operating plows and harvest machines. At 18, she meets a city boy named Alford—known as Six—and during their first conversation over a motorcycle, she decides she will marry him. At 20, during World War I, she feels rage at a recruitment sign that reads, “BE A MAN AND DO IT. UNITED STATES NAVY RECRUITING STATION.” She wants to enlist and becomes a worker at a munitions factory. Soon after Ralph and Six return home from their wartime activities, they wed. The one thing she can’t seem to subvert is her inability to conceive. One day, to Six’s shock, she comes home with a baby from the Salvation Army’s home for unwed mothers, bringing the child, Faye, into their lives without discussion. Years later, during World War II, Six prepares to enlist, with Ralph’s support, only to discover a painful sore beneath his tongue. He has cancer; three months later, he’s dead. The story continues to explore Ralph’s life beyond grief, but rather than leading to a sharp twist or discovery, the work chronicles Ralph’s acceptance of a life well lived. Eventually, she lies down, “satisfied with her thoughts,” and passes away in her sleep. That same straightforward clarity shapes the collection’s darker looks at humanity. “The Hero” opens with the line, “I killed someone then lied about it to everyone.” The unnamed narrator, an investigator, hunts a 19-year-old criminal, Darrell “Skatch” Mangrum, who’s participated in a wave of robberies of Virginia tourist shops. After a confrontation, the narrator mistakes a hairbrush for a gun and shoots Darrell. The guilt costs him his career—he drinks himself out of a job—and his marriage. He attempts to take his life after his ex-wife calls to say she’s getting remarried, and he survives a hospital stay. A later twist reframes the killing within larger events, and while the story nods toward redemption and acceptance at the end, the narrator pays a karmic cost.
In other stories, a divorced father reconnects with a woman from his study abroad years in Italy, and a workaholic doctor is consumed by a mysterious, years-long chemistry project hidden in his basement lab. The subjects have no connection aside from the universal truth that the characters are all bound by life itself. This universality creates depth, but it’s the crunchy prose that creates the satisfying tension (“I prefer the company of dogs over humans. I’m not saying dogs are perfect, but let’s face it, we humans have a long way to go”). The various narrators throughout the collection personalize each story with varieties of dry wittiness: “She reasoned her version of the truth was like taffy—it could be stretched and pulled in either direction, but it was still taffy in the end.” That logic characterizes the collection as a whole; it’s elastic, engaging, and honestly reckons with humanity’s flaws, distortions, and charm.
A pleasurable collection of short stories that will leave readers wanting 13 more.Pub Date: April 23, 2026
ISBN: 9781685137410
Page Count: 174
Publisher: Black Rose Writing
Review Posted Online: Jan. 27, 2026
Kirkus Reviews Issue: March 15, 2026
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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