Part mystery, part religious debate, this old-fashioned, well-written novel is wholly entertaining.
An English detective investigates a homicide that has supernatural implications and leads to a mysterious organization and the ultimate battle between good and evil.
In Exeter, England, DI Cecilia Cavaliere investigates the death of John Cox, a young teacher. She quickly finds that his murder is connected to the mysterious Academy for Philosophical Studies, whose chairman is secretly in league with the devil. At the same time, at nearby R.A.F. Harlsden, Capt. Lancelot Scott, of the 92nd Missile Wing of the U.S.A.F., is unaware that the deadly Peacekeeper nuclear missiles under his command are part of the chairman’s plot to jump-start World War III. When her investigation leans toward the supernatural, Cecilia feels out of her depth, but fortunately, she receives help from religious scholar and Anglican priest Michael Aarons, a friend of her father’s, and Friedrich Spee von Langenfeld, a mysterious Jesuit. In the end, it comes down to the ultimate confrontation between good and evil, as Cavaliere and Aarons face off against the chairman and a satanic consultant from the Infernal City. In this sequel to the author’s Siding Star (2012), it’s fairly obvious how things will turn out, but since the characters are created with such intelligence, readers will nonetheless want to stick around to find out what fate has in store for them. A hint of romance between Cavaliere and Aarons provides additional interest in the story’s outcome. The author, an Anglican priest, writes authoritatively when it comes to religion, though he also entertains with details about how homicide investigations are run and how a missile installation works. He is, however, at his most eloquent when describing the nature of spirituality: “The universe is a dance….And we were created to be part of it,” says the mysterious Spee. At moments like this, this novel is much more than the sum of its parts.
Part mystery, part religious debate, this old-fashioned, well-written novel is wholly entertaining.Pub Date: Oct. 25, 2013
ISBN: 978-0985391133
Page Count: 328
Publisher: The Diamond Press
Review Posted Online: Feb. 3, 2014
Review Program: Kirkus Indie
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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