by Christopher Bryan ‧ RELEASE DATE: Sept. 10, 2012
An enjoyable novel of spiritual mystery and adventure—well-plotted, intelligent and deeply moving.
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A detective inspector joins forces with an Anglican priest and an astronomer to thwart a shadowy organization’s sinister plans in this debut suspense thriller.
In England’s Exeter Cathedral, a man with a strange black book is found dead in front of the altar, with occult signs spray-painted on the floor and a crucifix overturned. In Australia’s Siding Springs Observatory, a young astronomer named Charlie Brown discovers a supernova that’s sending “a hail of high-energy particles and electromagnetic radiation” straight toward Earth. Linking these events are the machinations of a secret society bent on power and destruction. As DI Cecilia Cavaliere investigates the secrets of the black book, she turns to scholar and Anglican priest Michael Aarons for help. Cecilia, Michael and Charlie must confront a world-threatening challenge with cleverness, courage, science and faith—as well as love and friendship. In this entertaining, thought-provoking novel, Bryan (The Resurrection of the Messiah, 2011, etc.)—himself an Anglican priest—highlights the imaginative sweep and power of Christianity. As Charlie says, “I can say, the universe has to be the way it is, otherwise I wouldn’t be here. And that’s certainly true. But still, to be in awe or not to be in awe, that’s a choice—an emotional choice—and I don’t see opting for one as being any more or less ‘scientific’ than opting for the other.” Bryan’s heroes aren’t just likable but lovable: intelligent, amusing, hardworking, even kind to animals. In contrast, the novel’s villains are truly spooky and disturbing; readers are always aware of the urgency of stopping their evil plans.
An enjoyable novel of spiritual mystery and adventure—well-plotted, intelligent and deeply moving.Pub Date: Sept. 10, 2012
ISBN: 978-0985391102
Page Count: 406
Publisher: The Diamond Press
Review Posted Online: Dec. 17, 2012
Kirkus Reviews Issue: Jan. 15, 2013
Review Program: Kirkus Indie
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by Margaret Sutherland ‧ RELEASE DATE: Oct. 19, 2009
An enjoyable, eloquently told tale.
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Sutherland’s (Windsong, 2008) contemporary novel takes readers to the small, fictional Australian town of Trundle, offering a peek at the lives of its residents over the course of a year.
Grown sisters Ronnie and Marie have returned to their family home in Trundle, each of them recovering from a personal heartbreak. They’re not sure what to make of their troublesome neighbors, the Lals, who have built a large, modern house next door. The sisters and the Lals are at the core of the story, but Sutherland expertly weaves the lives of various residents into a rich tapestry. Trundle possesses many elements found in any small town: mom-and-pop shops, a struggling economy and a colorful cast of characters. What sets it apart from other towns is a place called Pelican, a commune founded in the 1980s on the outskirts of town. Marie, a former resident who left Pelican under a cloud of disgrace, returns to find she is welcome in the community; burned out from work, Ronnie finds herself restored by her stay there. Meanwhile, the grieving Mr. Lal sees Pelican as the perfect spot to build his own version of the Taj Mahal in tribute to his deceased wife, and his son, Vijay, struggles to find himself and the meaning of life. The story shifts perspective, often jumping among the central protagonists and various Trundle figures, giving readers an intimate view of the town. But well-defined, realistically drawn characters enable readers to easily follow these shifts in perspective. In spite of occasional scandals and disturbing events, Sutherland’s novel is, at heart, a quiet story of ordinary people dealing with everyday problems. Her graceful descriptions—“Through the open window flowed a deep and restful stillness punctuated by the chime of birds and the tolling of frogs”—bring to life both the landscape and the people who inhabit it.
An enjoyable, eloquently told tale.Pub Date: Oct. 19, 2009
ISBN: 978-1426904394
Page Count: 288
Publisher: Trafford
Review Posted Online: June 14, 2012
Kirkus Reviews Issue: July 15, 2012
Review Program: Kirkus Indie
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by Thomas Peace ‧ RELEASE DATE: N/A
Provides the type of engrossing hodgepodge of memoir, philosophy, literary theory and metaphysics growing more...
What if reams of our conventional knowledge are just flat-out wrong—what if, for instance, the division between “perceiver” and “perceived” is erroneous?
Peace theorizes about the nature of human existence and how we interact with our environment. Offering argument as well as description, Peace posits that the prevailing mode of seeing the self as “separate” from what it seen, as well as from others, is unproductive and wrongheaded. Touching on his work with the disabled, he recounts his own life experience, mixing personal anecdotes with excerpts from the writings of American poets Walt Whitman, Wallace Stevens, e. e. cummings and Emily Dickinson, as well as the British poets T. S. Eliot and John Keats. The poets serve as de facto guides through this book, as Peace looks to them to provide examples of the kind of consciousness he means to exalt: one where a sense of the self as an entity divorced from the rest of reality is overcome. The effects of this practice, Peace states, will benefit not just humankind, but the entire earth. His scope ranges from the perspective of the individual to the universe itself. At points, his reasoning becomes lost in insufficiently defined terminology or in the abstract nature of its own ideas. Sometimes, it’s unclear whose ideas are whose: “Without consciousness, there is no ‘time’ ” is essentially a paraphrase of Kant’s Transcendental Idealism. Likewise, Peace’s discussions of perception in relation to the self might have benefited from an examination of the philosophical literature around that topic. There are platitudes, but there are also real insights, as well as a tone that indicates a passionate but tempered candidness. Though the collection as a whole seems elliptical, and at times repetitive, it’s by and large an intelligent project that aims to explore its subject matter outside of the confines of genre boundaries. It is at once an original statement and a bibliography of sources for further reading. Peace’s treatise, with its aggressive tone and pace, will not be for everyone. But this may be a strength, not a limitation.
Provides the type of engrossing hodgepodge of memoir, philosophy, literary theory and metaphysics growing more endangered—and perhaps more valuable—in book culture every day.Pub Date: N/A
ISBN: N/A
Page Count: 391
Publisher: Dog Ear Publisher
Review Posted Online: Nov. 26, 2012
Review Program: Kirkus Indie
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