by Thomas Peace ‧ RELEASE DATE: N/A
Provides the type of engrossing hodgepodge of memoir, philosophy, literary theory and metaphysics growing more...
What if reams of our conventional knowledge are just flat-out wrong—what if, for instance, the division between “perceiver” and “perceived” is erroneous?
Peace theorizes about the nature of human existence and how we interact with our environment. Offering argument as well as description, Peace posits that the prevailing mode of seeing the self as “separate” from what it seen, as well as from others, is unproductive and wrongheaded. Touching on his work with the disabled, he recounts his own life experience, mixing personal anecdotes with excerpts from the writings of American poets Walt Whitman, Wallace Stevens, e. e. cummings and Emily Dickinson, as well as the British poets T. S. Eliot and John Keats. The poets serve as de facto guides through this book, as Peace looks to them to provide examples of the kind of consciousness he means to exalt: one where a sense of the self as an entity divorced from the rest of reality is overcome. The effects of this practice, Peace states, will benefit not just humankind, but the entire earth. His scope ranges from the perspective of the individual to the universe itself. At points, his reasoning becomes lost in insufficiently defined terminology or in the abstract nature of its own ideas. Sometimes, it’s unclear whose ideas are whose: “Without consciousness, there is no ‘time’ ” is essentially a paraphrase of Kant’s Transcendental Idealism. Likewise, Peace’s discussions of perception in relation to the self might have benefited from an examination of the philosophical literature around that topic. There are platitudes, but there are also real insights, as well as a tone that indicates a passionate but tempered candidness. Though the collection as a whole seems elliptical, and at times repetitive, it’s by and large an intelligent project that aims to explore its subject matter outside of the confines of genre boundaries. It is at once an original statement and a bibliography of sources for further reading. Peace’s treatise, with its aggressive tone and pace, will not be for everyone. But this may be a strength, not a limitation.
Provides the type of engrossing hodgepodge of memoir, philosophy, literary theory and metaphysics growing more endangered—and perhaps more valuable—in book culture every day.Pub Date: N/A
ISBN: N/A
Page Count: 391
Publisher: Dog Ear Publisher
Review Posted Online: Nov. 26, 2012
Review Program: Kirkus Indie
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by Marti Dumas illustrated by Stephanie Parcus ‧ RELEASE DATE: Nov. 11, 2017
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.
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A fifth-grade New Orleans girl discovers a mysterious chrysalis containing an unexpected creature in this middle-grade novel.
Jacquelyn Marie Johnson, called Jackie, is a 10-year-old African-American girl, the second oldest and the only girl of six siblings. She’s responsible, smart, and enjoys being in charge; she likes “paper dolls and long division and imagining things she had never seen.” Normally, Jackie has no trouble obeying her strict but loving parents. But when her potted snapdragon acquires a peculiar egg or maybe a chrysalis (she dubs it a chrysalegg), Jackie’s strong desire to protect it runs up against her mother’s rule against plants in the house. Jackie doesn’t exactly mean to lie, but she tells her mother she needs to keep the snapdragon in her room for a science project and gets permission. Jackie draws the chrysalegg daily, waiting for something to happen as it gets larger. When the amazing creature inside breaks free, Jackie is more determined than ever to protect it, but this leads her further into secrets and lies. The results when her parents find out are painful, and resolving the problem will take courage, honesty, and trust. Dumas (Jaden Toussaint, the Greatest: Episode 5, 2017, etc.) presents a very likable character in Jackie. At 10, she’s young enough to enjoy playing with paper dolls but has a maturity that even older kids can lack. She’s resourceful, as when she wants to measure a red spot on the chrysalegg; lacking calipers, she fashions one from her hairpin. Jackie’s inward struggle about what to obey—her dearest wishes or the parents she loves—is one many readers will understand. The book complicates this question by making Jackie’s parents, especially her mother, strict (as one might expect to keep order in a large family) but undeniably loving and protective as well—it’s not just a question of outwitting clueless adults. Jackie’s feelings about the creature (tender and responsible but also more than a little obsessive) are similarly shaded rather than black-and-white. The ending suggests that an intriguing sequel is to come.
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.Pub Date: Nov. 11, 2017
ISBN: 978-1-943169-32-0
Page Count: 212
Publisher: Plum Street Press
Review Posted Online: Feb. 22, 2018
Kirkus Reviews Issue: April 15, 2018
Review Program: Kirkus Indie
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by Marti Dumas
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by Marti Dumas
by Paul Langan Ben Alirez ‧ RELEASE DATE: Jan. 1, 2004
A YA novel that treats its subject and its readers with respect while delivering an engaging story.
In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.
In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.
A YA novel that treats its subject and its readers with respect while delivering an engaging story.Pub Date: Jan. 1, 2004
ISBN: 978-1591940173
Page Count: 152
Publisher: Townsend Press
Review Posted Online: Jan. 26, 2013
Review Program: Kirkus Indie
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