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A KISS FROM MADDALENA

Not perfect, but Castellani’s faultless reproduction of a distant time and place, his elegant, eloquent prose, and his warm...

Lyrical first outing about star-crossed love in southern Italy in the 1940s.

In May 1943, Vito Leone is just a few months shy of his 18th birthday, when he’ll be drafted into the army like all the other young men whose absence torments the villagers of Santa Cecilia. They don’t question the war’s purpose (the author pulls no punches about Italians’ support for Mussolini, and even Hitler), but people in the impoverished Abruzzo region have few illusions about their subordinate and generally unlucky place in the scheme of things. The parents of beautiful Maddalena Picinelli dream of a better life for their daughter and don’t appreciate Vito’s attentions, though Maddalena, 16, is intrigued by his passion. A romance unfolds amid a beautiful rendering of provincial life, with the unchanging natural rhythms and structured society that seem comforting to Maddalena but stultifying to her fiery sister Carolina. When Italy surrenders in the fall of 1943, most villagers, including the Picinellis, flee the vengefully retreating Germans, but Vito is trapped in Santa Cecilia with his ailing mother. He survives and even restores the Picinellis’ ruined house before they return at war’s end, but Maddalena’s parents intend her for a wealthier husband. She loves Vito, sort of, but “had the power to control none of it” and felt that “she played such a small part in her own life.” This is a passivity that makes Maddalena increasingly irritating, especially since it’s never been terribly clear why she’s so special except that other people keep declaring that she is. That may be the point, as the closing chapters here amply demonstrate that Maddalena lacks strength to resist other people’s plans and doesn’t really deserve Vito. The beautiful final paragraph, aching with tenderness and regret, would be even more moving if she’d been a more engaging character to begin with.

Not perfect, but Castellani’s faultless reproduction of a distant time and place, his elegant, eloquent prose, and his warm sympathy mark him as a talent to watch.

Pub Date: April 25, 2003

ISBN: 1-56512-389-1

Page Count: 352

Publisher: Algonquin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2003

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THE OTHER BENNET SISTER

Entertaining and thoroughly engrossing.

Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.

Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.

Entertaining and thoroughly engrossing.

Pub Date: March 31, 2020

ISBN: 978-1-250-12941-3

Page Count: 448

Publisher: Henry Holt

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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