A taut and compelling psychological tale.
A therapist gets drawn into an insidious program for traumatized veterans in this debut novel.
Linda Held is a single mother and early-career psychotherapist who isn’t interested in letting ethical concerns get in the way of her helping her clients. That’s what attracted her to the vaguely named “United Syndicates of Federal Assistance, Worldwide,” which runs the SoldierWell program, a private therapy initiative for veterans experiencing acute PTSD. Her clients are definitely in need of help. Pvt. Carl Boxer is a guilt-ridden soldier whose traumatic experience as a war zone driver led him to attack an Army chaplain (though he has no memory of doing so). Participation in SoldierWell is all that saved him from being court-martialed. Even worse is Marine Sgt. Todd Sparrow, a narcissist and potential sociopath with war crimes on his rap sheet. Linda is prepared to blur the normal boundary lines between patient and therapist to produce results—her early research is in the potential benefits of patient transference—but it soon becomes clear that the ethical standards of her employers are far looser (and darker) than even she imagined. As it turns out, USoFA’s plans for the vets in Linda’s care don’t necessarily involve fixing them. The deeper Linda immerses herself in the program, the more she realizes that she might not be helping to mitigate the effects of America’s “forever war” but simply keeping the machine primed and running. Mixing traditional narration with extended transcripts from therapy sessions, Clancy builds his world with unsettling precision. It’s a novel that leans heavily into psychology, and the characters are wonderfully (and sometimes horribly) drawn. “I can’t remember how I came to lead but I’m sure it had something to do with the way I carried myself,” says Todd to Linda, explaining what he perceives as his own natural leadership abilities. “I have what they call ‘command presence,’ if that’s a term you’re familiar with. That’s just how I see myself, and I’m confident others see me that way.” Readers may be suffering from “forever war” fatigue at this current moment of history, but the author’s parable is more than incisive political commentary. It’s an evergreen story of human frailty and this increasingly dystopian world.
A taut and compelling psychological tale.Pub Date: April 21, 2021
ISBN: 978-4-294-29897-8
Page Count: 418
Publisher: Montag Press
Review Posted Online: Sept. 19, 2021
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
